20.500.12556/RUL-159667 Problem družbene kritike v dramah Norci in Znamke, nakar še Emilija Dušana Jovanovića The criticism of society in plays "Norci" and "Znamke, nakar še Emilija" written by Dušan Jovanović Za temo moje diplomske naloge sem si izbrala Jovanovićevi drami Norci in Znamke, nakar še Emilija ter raziskovala, kateri elementi ju delajo dramo absurda in kje v dramah najdemo kritiko družbe. Moj cilj je bil, da ugotovim razlike med vzhodno in zahodnoevropskimi dramami absurda, natančneje med zgoraj omenjenima ter Čakajoč Godota in Plešasto pevko. Po Esslinu ima drama absurda na vzhodu funkcijo politične kritike, a mora le-ta ostati skrita za metaforami, zato sem se lotila iskanja metafor v Jovanovićevih dramah in jih nekaj izpisala. V nadaljevanju sem raziskovala, v čem sta Pevka in Godot različna v primerjavi s slovenskimi dramami absurda, namreč v njih ne najdemo kritike družbe, so pa elementi absurda veliko izrazitejši. Prazno, nesmiselno govorjenje, ponavljanje besed, možna zamenjava likov, saj so popolnoma enaki, ponavljajoče dogajanje oz. vračanje na začetek, je le nekaj elementov, ki delajo ti dve drami tako drugačni od tradicionalne. V zaključku sem potrdila hipotezo, da so vzhodnoevropske drame absurda apolitične, zahodnoevropske, kamor spadajo tudi slovenske, pa so imele v sebi elemente družbene kritike, s katerimi so želele spodbuditi ljudstvo, da bi začelo razmišljati o vsakdanu ter si posledično zaželeti sprememb. For my bachelor's theme I chose two plays written by Jovanović, "Norci" and "Znamke, nakar še Emilija". I pinpointed and explored the characteristics which make them dramas of the absurd and where we can find criticisms of society. My goal was to find the differences between Eastern and Western European dramas of the absurd, specifically between the ones mentioned above with "Waiting for Godot" and "The bald soprano". According to Esslin, dramas of the absurd in the East have the function of political criticism, but it must remain hidden behind metaphors, so I started looking for metaphors in Jovanović's plays and wrote out some of them. Afterwards, I was exploring the differences between Slovene dramas of the absurd and the well known "The bald soprano" and "Waiting for Godot". We cannot find criticism of society in them, but the absurd elements are far more pronounced. Empty and meaningless dialogue, repetition of words, possible replacement of characters, since they are exactly the same, repeated events or going back to the beginning are just some of the elements, which makes the two plays so different from the traditional dramas of the absurd. In the conclusion I have confirmed my hypothesis about Eastern European dramas of the absurd being apolitical whereas Western European dramas of the absurd, also including Slovenian based works, contain criticisms of society. With these they wanted to encourage the people to start thinking about their everyday life and, as a result, make them wish for change themselves. slovenska dramatika drama absurda Dušan Jovanović Slovene drama drama of the absurd Dušan Jovanović true false false Slovenski jezik Angleški jezik Diplomsko delo/naloga 2024-07-18 07:45:04 2024-07-18 07:45:11 2024-07-20 03:31:30 0000-00-00 00:00:00 2024 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 543571 202205443 38619.pdf 38619.pdf 1 61BE0837F1AE4E8E21EC0EAEAF319007 d43dfb48fec01a0a1b52c43d1ac761e4a342664864724cec08fb40b44783e8c9 df0fa5f1-44c8-11ef-8f74-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=187793 Filozofska fakulteta 0 0 0