20.500.12556/RUL-159576 Stiska kot generator ustvarjalnosti v simfonijah 19. stoletja Adversity as a Generator of Creativity in 19th Century Symphonies Magistrsko delo skuša odgovoriti na vprašanje, kako je skladateljeva osebna življenjska stiska vplivala na njegovo komponiranje. Osvetli dejavnike stiske, kot se kažejo v izbranih glasbenih primerih. Naloga skladatelja postavlja v koncept subjekta znotraj dela samega – kako se njegova osebnost in doživljanja kažejo v delu in kakšne kompozicijske postopke uporablja, da z njimi ustvari občutek nemoči, tegobe. Obravnava izbrane skladatelje 19. stoletja, ki so zaradi osebnih stisk v življenju veliko trpeli in njihove simfonije, ki so zaznamovale obdobje romantike, pogosto pa so izvajane še danes. Za izhodišče takšnih simfonij je izbrana Beethovnova Simfonijo št. 5 v c-molu, saj je ob njej mogoče osvetliti še en osrednji pojem – revolucionarnost v glasbi. Iz obravnave izbranih del se kaže, da je značilnosti osrednje simfonije moč najti tudi pri drugih delih in s tem potrjuje skladateljeve razloge za komponiranje tako zveneče glasbe. The master’s thesis aims to answer the question of how a composer’s personal life struggles influenced his composing. It seeks to shed light on the factors of distress as they appear in selected musical examples. The thesis situates the composer within the concept of the subject within the work itself – how his personality and experiences manifest in the work and what compositional techniques he uses to create a sense of helplessness and anguish. It examines selected 19th-century composers who suffered greatly in their lives due to personal hardships and their symphonies that marked the Romantic period, often performed to this day. Beethoven’s Symphony No. 5 in C minor is chosen as the starting point for such symphonies, as it also highlights another central concept – revolution in music. The analysis of the selected works shows that the characteristics and features of this central symphony can also be found in other works, thereby confirming the composer’s reasons for composing such resonant music. stiska revolucionarnost v glasbi simfonija 19. stoletja glasbeni parametri distress revolutionariness in music 19th-century symphony musical parameters true false false Slovenski jezik Angleški jezik Magistrsko delo/naloga 2024-07-12 15:33:03 2024-07-12 15:33:07 2024-07-18 03:44:43 0000-00-00 00:00:00 2024 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 543506 38588.pdf 38588.pdf 1 69DDE8BFE1BE1A6B2BCA5A5DA80C0C1C 6ec4edaf2afa6b2f6c59a7bd8394007a53ec67f76a92af2be43772793c45a76c 412f74f3-4053-11ef-8f74-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=187635 Filozofska fakulteta 0 0 0