20.500.12556/RUL-158649 Tizianove upodobitve Vener Titian's depictions of Venus V renesansi se je pojavilo neoplatonistično gibanje, ki je obudilo zanimanje za filozofijo in umetnost. Antična boginja Venera je tedaj ponovno našla svoje mesto med umetniki kot personifikacija ljubezni, zakonske zveze in idealne lepote, zato ni nič nenavadnega, da je postala tudi pogost navdih za motiv ženskega akta. Ker pa golota v renesansi še ni bila splošno sprejeta, je bilo treba motiv akta zaviti v tančico mitologije, za kar je bila Venerina podoba idealna. Diplomsko delo tako skuša orisati motiv ženskega akta v renesansi, ki se prvič pojavi z Giorgionejevo upodobitvijo Speče Venere. Tiziano Vecellio je s pomočjo svojega predhodnika nadaljeval razvoj akta in motiv Venere vpletel v mnoga dela skozi svoj celoten opus. Njegovo najbolj opevano in najbolj poznano delo je zagotovo Urbinska Venera. V tej prepleta spretno uporabo barv in se poigrava s kompozicijo, predvsem pa dokaže, da je ženska dovolj močan lik, da lahko povsem samostojno zasede celotno slikarsko platno. V nalogi poskušam prikazati tudi to, kako je pod vplivom Urbinske Venere ustvaril še mnogo drugih Vener ter kako so vse nadaljnje upodobitve črpale svoj navdih pri Urbinski Veneri, ki velja za prvi ležeči akt. The period of Renaissance gave rise to Neoplatonism, a movement reviving interest in philosophy and art. The antique goddess Venus once again found her place among artists as the personification of love, marriage and ideal beauty. Hence, it is no wonder she was the inspiration for the motif of female nude. Since nudity in Renaissance had not yet been widely accepted, the motif of the nude had to be concealed with a veil of mythology – and the image of Venus was simply ideal for this job. The present BA thesis outlines the motif of female nude in Renaissance, during which it first appeared with Giorgione’s Sleeping Venus. With the help of his predecessor, Tiziano Vecellio, known as Titian, continued developing the motif and incorporated Venus in many an artwork throughout his oeuvre. His best-known and most praised work is certainly The Venus of Urbino. The painting showcases a skilled use of colour, a playfully executed composition and above all proves that a female is a strong enough character to take up the entire space of a canvas. The thesis also demonstrates how The Venus of Urbino influenced numerous later paintings by Titian and how he took his inspiration for them directly from The Venus of Urbino, the supposedly first reclining female nude. Urbinska Venera upodobitev Tiziano Vecellio akt Venera Venus of Urbino depiction Tiziano Vecellio Titian nude Venus true false false Slovenski jezik Angleški jezik Diplomsko delo/naloga 2024-06-19 07:45:14 2024-06-19 07:45:18 2024-07-05 13:27:35 0000-00-00 00:00:00 2024 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 543216 200887811 28438.pdf 28438.pdf 1 EB4BE9D5021AB72E047572037287F2D6 a2d8f70475e6217f65172d995af8550d35ac47d5bbe09059b01137423c13b88b 1eb6dfc7-2dff-11ef-aa1b-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=186358 Filozofska fakulteta 0 0 0