20.500.12556/RUL-156015 Formalna razhajanja in motivna prepletanja klasične pravljice z avtorsko pravljico Lile Prap diplomsko delo Formal Divergences and Motif Interweaving between Classic Fairy Tale and the Original Tale by Lila Prap Sodobna umetna pravljica je začela nastajati po koncu druge svetovne vojne. Temeljna razlika s klasično pravljico je, da bralec v zgodbah spremlja sodobnega mestnega otroka, ki s pomočjo svojih stisk in duševnih vzgibov vzpostavi vez s fantastično ravnjo njegovega življenja. Dogajanje je postavljeno v sodobno mestno okolje. A to ni značilno za vse pravljice, nastale v obdobju od druge polovice 20. stoletja dalje. Dober primer tega je pravljica Lilijane Praprotnik Zupančič, znane pod psevdonimom Lila Prap, ki v svoji avtorski slikanici 1001 pravljica inovativno prepleta že znane elemente iz klasičnih pravljic, največkrat Grimmovih, v enovito pripoved, ki ji doda še elemente sodobnega. Na prvi pogled se zdi, da je glede na avtoričin sloves inovativne mladinske pisateljice nemogoče, da bi napisala kaj drugega kot sodobno pravljico. Vendar med preučevanjem strokovne literature in študij literarnih teoretičark s področja pravljic kmalu ugotovimo, da gre za tipičen primer klasične umetne pravljice, čeprav so nekateri elementi v pravljici podani nedosledno in motijo pri določanju literarnozvrstne oznake. The emergence of modern artificial fairy tales began after the conclusion of World War II. The fundamental difference from classic fairy tales lies in the fact that the reader follows a contemporary urban child in these stories, who establishes a connection with the fantastical realm of their life through their struggles and emotional impulses. The events take place in a modern urban environment. However, this isn't characteristic of all fairy tales created from the second half of the 20th century onwards. A good example of this is the story by Lilijana Praprotnik Zupančič, known by the pseudonym Lila Prap, who innovatively intertwines well-known elements from classic fairy tales, often from the Grimms' collection, into a cohesive narrative enriched with modern elements in her original picture book 1001 pravljica. At first glance, considering the author's reputation as an innovative youth writer, it seems impossible for her to create anything other than a contemporary fairy tale. However, upon studying professional literature and the works of literary theorists specializing in fairy tales, we quickly realize that this is a typical case of a classic artificial fairy tale, although certain elements in the tale are inconsistently presented, which complicates its literary classification. slovenska otroška književnost otroška književnost klasična pravljica avtorska pravljica sodobna pravljica literarni motivi brata Grimm Lila Prap Slovene children's literature children's literature classic fairy tale original fairy tale modern fairy tale literary motifs Grimm brothers Lila Prap true false false [M. Košnik] Slovenski jezik Angleški jezik Diplomsko delo/naloga 2024-04-28 07:45:05 2024-04-28 07:45:13 2024-06-11 15:01:43 0000-00-00 00:00:00 2024 0 Ceklje na Gorenjskem [i. e. Ljubljana] 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 542904 194653187 37941.pdf 37941.pdf 1 447D379B0EB27844B7181CC6B9C5CA59 538affe45851699c650d9986ceef4e5a385b828e6aaa31ce45d2231764cd3166 7d68fe81-0522-11ef-9399-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=183215 Filozofska fakulteta 0 0 0