20.500.12556/RUL-152876 (Ne)cenzurirano v Iranu: Islamska republika, nadzor in glasba za zapahi (Un)censored in Iran: Islamic republic, surveilance and music behind bars Avtorica je na podlagi življenjskih utrinkov sogovornikov in sogovornic ter z analizo trenutnega sistema v Iranu predstavila življenje posameznika v Islamski republiki Iran (IRI). Pri analizi si je pomagala z zgodovinskimi trenutki, ki so pripomogli k nastanku modernega Irana. Pri tem se je osredotočila na vzpon islama v Perziji od 7. stoletja dalje in na veliko poznejše delovanje dinastije Pahlavi (1925–1979). S to podlago je nato opisala delovanje političnega režima IRI, tamkajšnjih nadzornih organov in proces cenzuriranja predvsem glasbenih vsebin. Na delovanje vladnega aparata je poskušala pogledati s perspektive mladih iranskih glasbenikov in glasbenic, ki delujejo v državi ali pa so jo zaradi različnih razlogov (že) zapustili. Avtorica razpravlja o tem, ali je njihovo ilegalno glasbeno udejstvovanje znak upora, in ugotavlja, da gre prej za normalizacijo represivnega stanja v državi. Poleg tega se delo dotika konceptov upanja in zaupanja, ki ju moji sogovorniki in sogovornice po svojih besedah ne čutijo. Kljub temu nadaljujejo s svojim udejstvovanjem v iranskem glasbenem podzemlju (underground), ki ga država ne priznava, zato deluje v ilegali. The author presented the life of an individual in the Islamic Republic of Iran (IRI), based on the interviewees' life experiences and provided a detailed analysis of the current system in Iran. She supported her analysis with historical moments that contributed to the emergence of the new state, focusing on the rise of Islam from the 7th century onwards, and in the recent historical period with the activities of the Pahlavi dynasty (1925-1979). With this background, she described the functioning of the political regime of the IRI, the supervisory bodies there, and the process of censorship, especially of musical content. She attempted to give an objective view of the government apparatus from the perspective of young Iranian musicians who are working in the country, or who have (already) left it for various reasons. The author reflects on whether their illegal musical activity is a sign of rebellion and concludes that it is not so much about that, and more about the normalisation of the repressive situation in the country. Moreover, the work refers to the concepts of hope and trust, which are not felt by the interlocutors in their own words. Nevertheless, they continue their involvement in the Iranian underground, which the state repeatedly makes illegal. etnologija kulturna antropologija glasba popularna glasba Islamska republika Iran nadzor cenzura underground upor ethnology cultural anthropology music popular music Islamic republic of Iran control censorship underground rebellion true false false Slovenski jezik Angleški jezik Magistrsko delo/naloga 2023-12-10 07:45:05 2023-12-10 07:45:12 2023-12-11 03:40:48 0000-00-00 00:00:00 2021 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 2022-11-29 542037 18064.pdf 18064.pdf 1 2293E217AAD66A689A28315C6CF1E10E 753840853d08ce7a43d5d5cee5666595cb1519139647fdc2593ddac1c7ee1882 abb062e6-9727-11ee-8d3b-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=178573 Filozofska fakulteta 0 0 0