20.500.12556/RUL-152618 Tehnologija in glasba v ruski avantgardi magistrsko delo Technology and Music of Russian Avant-Garde V magistrskem delu obravnavam nastanek zvočnega polja umetnosti, ki je nastal v okviru avantgardnih umetniških smeri v času tranzicije carske Rusije v zgodnja sovjetska obdobja. Bralec bo našel pregled osrednjih osebnosti zvočnih inovacij ter njihovih idej, eksperimentov in umetniških del. Ugotavljam, da je italijanski futuristični napad na uveljavljeno glasbeno umetnost vplival na ruske avantgardne umetnike. Ruski inovatorji so ideje italijanskega futurizma nadgrajevali z navezavami na naravoslovne znanosti in nove tehnologije, ki so omogočile razvoj sinestetičnih konceptov zvoka, mikrotonalnih lestvic in znanstveno raziskovanje zmožnosti čutil. V delu obravnavam nastanek novih državnih institucij, ki so omogočile nove preboje na področjih audio-vizualnih tehnologij. Upam, da magistrsko delo osvetljuje ta izrazito večdisciplinarni fenomen ruske kulture, ki je omogočil uporabo zvoka v različnih utopičnih in kolektivističnih projektih. This thesis focuses on the emergence of sound art during the period of intense artistic innovation at the time of the transition of tsarists Russia to Union of Soviet Socialist Republics. It contains a general overview of the most influential figures of the period and their ideas, experiments and artworks. The efforts of Italian futurists to liberate sounds and noise from the established art of music had a significant influence on Russian avantgarde artists. Their ideas inspired further artistic and scientific experiments of Russian artists, who in effect developed new concepts of sound based on synesthesia, newly discovered microtonality and conducted empirical research on sense organs. In this dissertation, I also examine newly founded institutions for audio-visual research that made new inventions, instruments and theories of sound possible. It is my hope that this work helps to map central ideas of this multidisciplinary cultural phenomenon that is marked by scientific enthusiasm towards technology and collectivist utopias. avantgardna umetnost futurizem zvok tehnologija Proletkult mikrotonalna glasba suprematizem zvočna umetnost Rusija Arsenij Avraamov Mihail Matjušin avant-garde art futurism sound technology Proletkult microtonal music suprematism sound art Russia Arseny Avraamov Mikhail Matyushin true false false [G. Divjak] Slovenski jezik Ruski jezik Magistrsko delo/naloga 2023-12-01 07:45:32 2023-12-01 07:45:50 2024-04-18 14:34:12 0000-00-00 00:00:00 2023 0 Ljubljana 0 Ljubljana РЕЗЮМЕ: п. 76-82 84 str. 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 7.036/.037(470) 541795 190228739 27766.pdf 27766.pdf 1 93CD662EB228A2A56CB0C53C302313D3 c79229c79498f26341b05eb761eb0707bfc3f3bbdc0f79db9002f8e17f425d55 446c2025-9015-11ee-b3b7-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=178196 Filozofska fakulteta 0 0 0