20.500.12556/RUL-152304 Minimalna razlika in moderna mimesis The minimum difference and modern mimesis Članek razpira problematiko moderne mimesis v luči diferencialnega mišljenja minimalne razlike v ponavljanju, ki v serijah podobnega koncipira nevidni člen, inteligibilno razliko. Mimesis ni vezana na reprezentacijo realnosti v drugem, umetniškem mediju, ampak se izrazi skozi serije dejanj in montažo postopkov, ki na mesto objekta (delati nekaj) postavijo sam proces kot umetniško dejanje (delati). The debate considers the role of mimesis in modern art, which rejects the traditional forms of artistic imitation and focuses on the definition of the minimum difference or de-realization of the model, ideal and truth (simulation, repetition) in its development of differentiated thinking. Badiou describes the »differentiating desire« of modern art, which attempts to »invent content at the point of minimum difference, where there is almost nothing« and investigates the real as the small elusive link, the barely perceptible hue of the conceived and perceived. Duchamp’s idea of infrathin differentiation is reflected in the conception of the ready-made and the new forms of reproduction and projection. Hyper-realism conceives the least difference in the greatest similarity between the painting and the photograph after which it was produced. Seriality and repetition are the basic procedures of abstract and minimalist art that are principally engaged with the conception of difference in articulating similarities. Catherine Perret believes that modern art abolishes the primacy of the object (result), and with the invention of new forms of repetition, bets on the simple act and processuality as the key aspects of artistic content. mimesis ponavljanje sodobna umetnost teorija umetnosti mimesis minimum difference infrathin action and repetition the infinite true false true Slovenski jezik Angleški jezik Soglasje za objavo članka pridobljeno s strani založnika. Članek v reviji 2023-11-17 13:21:17 2023-11-17 13:21:18 2023-11-18 03:41:56 0000-00-00 00:00:00 2016 0 0 Str. 25-33 Št. 103 2016 0000-00-00 Zaloznikova Objavljeno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 7.01 0352-7263 3577710 16_BERLOT.-Minimalna-razlika-in-moderna-mimesis.-2016.pdf 16_BERLOT.-Minimalna-razlika-in-moderna-mimesis.-2016.pdf 1 9951462F8E987C50A07C636259B1328E 01ce898043a3ffaaab1b092413b853e182e59fbb620a269129f4765e67fe1c0f 67e473de-8544-11ee-af1c-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=177734 http://www.likovnebesede.org/103.html 0 849c2298-8544-11ee-af1c-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=177735 Akademija za likovno umetnost in oblikovanje 0 0 0