20.500.12556/RUL-152278 Psihobiografija literarnega junaka: ali kaj imata skupnega Jean-Baptiste Grenouille in Freudov Leonardo da Vinci? ali kaj imata skupnega Jean-Baptiste Grenouille in Freudov Leonardo da Vinci? Psychobiography of a literary character: what do Jean-Baptiste Grenouille and Freud's Leonardo da Vinci have in common? magistrsko delo V nalogi se seznanimo z metodo psihobiografije. V prvem delu iz znanstvenih člankov razberemo, kaj je psihobiografija, kakšni so njeni začetki, razvoj, kako se piše in kakšne so pasti pri njenem pisanju. V drugem delu se lotimo podrobnejšega pregleda Freudove analize Leonarda da Vincija, ki se na splošno smatra za prvo moderno ter temeljno psihobiografijo. Kot ključne kritike veljajo Freudova identifikacija z Leonardom, polega tega vsebuje zgodovinske netočnosti in napake v prevodu. Iz tega lahko sklepamo, da je Freudov Leonardo drug Leonardo, kot je bil dejanska zgodovinska osebnost. Sledi glavni del, psihobiografija literarnega junaka, morilca Jean-Baptista Grenouilla iz knjižne uspešnice Parfum. V nalogi predstavlja prakso pisanja psihobiografije skozi pregled celotnega življenja. Opora nam bo literarna teorija. Fikcijski svet Jean-Baptista Grenouilla se razume kot kulturni kontekst. Tako njegova sposobnost zaznavanja vonjav kot pomanjkanje vonja sta sprejeta kot resnično dejstvo. Analiza vključuje tudi teorije o umetnikih ter serijskih morilcih. V zadnjem delu primerjamo obe literarni osebnosti – Freudovega Leonarda ter Grenouilla. Oba sta poklicana k raziskovanju nečesa novega, oba umetniško ustvarjata, pri obeh je prisotna okrnjena spolna dejavnost, le eden pa je priznan tudi kot serijski morilec. In the assignment we come to know the method of psychobiography. First part consists of theories on psychobiography, its origins, evolution, how to write it and what not to do. Second part undertakes an in-depth review of Freud’s analysis of Leonardo da Vinci, commonly understood as one of the first modern and fundamental psychobiographies. Key critical points are Freuds identification with Leonardo, as well as historical inaccuracies and errors in translation. A conclusion can be made from this that Freud’s Leonardo is a different Leonardo than the real, historical one. Following is the main part, psychobiography of a literary character, a killer called Jean-Baptiste Grenouille from bestseller titled Perfume. This third part represents the practice of writing psychobiography of a person throughout his entire life. A literary theory stands as a support for this task. Fictional world of Jean-Baptiste Grenouille is understood as a cultural context. His ability to detect scent and the lack of his own scent are understood and accepted as true facts. This analysis also includes theories on artists and serial killers. In the last, fourth part we compare the two literary persons - Freud’s Leonardo and Grenouille. They are both called to experiment and construct something new, they are both artistically expressive, they both exhibit reduced or non-existent sexual activity, but only one is acknowledged as a serial killer. psihobiografija psihologija kriminalni roman serijski morilec psychobiography psychology criminal novel serial killer true true false A. Orehek Slovenski jezik Angleški jezik Magistrsko delo/naloga 2023-11-16 08:30:03 2023-11-16 08:30:13 2023-11-21 09:38:31 0000-00-00 00:00:00 2023 0 Ljubljana 0 Ljubljana 51 str. 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 316.7:159.8(043.2) 160537 172961795 13570.pdf 13570.pdf 1 0381F8FFD4976A1D5EBF69062B2AF901 5c3a972f3569d25f3169087ef1a6937fc927803619867e1faa4731cb9fe722b9 fc2b6e07-8451-11ee-b83b-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=177676 Fakulteta za družbene vede 0 0 0