20.500.12556/RUL-151793 Ekološki pristopi k družbeno angažirani tekstilni umetnosti Socially engaged art through ecological approach to textiles Zamisel magistrskega dela “Ekološki Pristopi k Družbeno Angažirani Tekstilni Umetnosti” se osredotoča predsvem na vpliv sintetičnih barvil na naravo ter posledice velike količine prehrambenih odpadkov na zemljo, vodo in energijo. Na podlagi tega se ta prispevek loteva raziskovanja proizvodnje ekoloških pigmentov kot sredstev za izražanje pomembnih družbenih tem preko tekstilne umetnosti. V tehnološkem segmentu dela je prikazan tako postopek zbiranja odpadne hrane kot postopek izdelave pigmentov. Vzporedno s tem so bile pridobljene barve uporabljene v nadaljnji produkciji umetniških objektov, skozi katerega je bil glavni poudarek na povezavi med kritiko družbe in samim delom na pigmentih. Celoten proces izdelave pigmentov, ki se začne pri živilskih odpadkih in konča pri pigmentih, je stvar prevpraševanja estetike, torej spreminjanja nečesa grdega, česar se želimo znebiti (kar je del narave) v umetniško delo. Skozi eksperimentiranje in ustvarjanje umetnin iz zavrženih materialov je nastalo več različnih del, ki poudarjajo nekatere pomembnejše socio-ekološke teme. Ti poskusi so poleg pridobivanja pigmentov iz ostankov hrane privedli do readymade instalacije, tapiserije iz ostankov blaga in obročkov za vezenje z naslikanimi arhetipi ter večjega tekstilnega kosa, ki predstavlja ponotranjeni kapitalizem. Delo skozi predstavljene teme hkrati obravnava ponotranjeni kapitalizem, s čimer prikazuje specifično dinamiko vpliva sodobnega načina življenja na ekologijo in psihologijo ter tako z medsebojnim vplivom združuje ta dva vidika. The idea of the master's thesis "Ecological Approaches to Socially Engaged Textile Art" is primarily focused on the impact of synthetic dyes on nature and the consequences of a large amount of food waste on land, water and energy. With that basis, this paper explores the production of ecological pigments as a means of expressing significant social themes through textile art. In the technological segment of the work, both the process of collecting food waste and the process of making pigments are demonstrated. In parallel with that, the obtained colors were used in the further production of art objects through which the main focus was on the link between the criticism of society and the work on pigments itself. The whole process of making pigments, which starts with food waste and ends with pigments, is a matter of questioning aesthetics, that is, turning something that is ugly and that we want to get rid of (which is part of nature) into a work of art. Through experimentation and creation of works of art from discarded materials, several different pieces were performed that emphasize some of the more important socio-ecological topics. Those experiments resulted, in addition to obtaining pigments from food scraps, in a readymade installation, a tapestry made of leftover fabric and embroidery rings with painted archetypes, as well as a larger textile piece that represents internalized capitalism. The work, through the presented topics, simultaneously dealt with internalized capitalism, with which it showed the specific dynamics of the effect of the modern way of life on ecology and psychology, thus uniting those two through mutual influence. ekologija pigmenti tekstilna umetnost odpadki zavržena hrana psihologija motnje ecology pigments textile art waste food waste psychology disorders true false false Slovenski jezik Angleški jezik Magistrsko delo/naloga 2023-10-20 09:00:19 2023-10-20 09:00:22 2023-10-21 03:45:45 0000-00-00 00:00:00 2023 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 96746 19807.pdf 19807.pdf 1 8CBAE178182811B86D74BBA88D34DCE7 0135e2fea51c77cbafdfaf6a361146563febd56e474a3c321b75dcc8716704d8 570bd250-6f16-11ee-b452-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=176856 Naravoslovnotehniška fakulteta 0 0 0