20.500.12556/RUL-151504 Ko reke zamrznejo in zagorijo: Ameriška pesnica Adrienne Rich v ekokritiški perspektivi As the Rivers Freeze and Burn: An Ecocritical Perspective on the Poetry of Adrienne Rich V pričujoči magistrski nalogi raziskujem poezijo ameriške pesnice Adrienne Rich skozi ekokritiško perspektivo. Adrienne Rich (1929–2012) je bila ena najvplivnejših ustvarjalk v ameriškem literarnem prostoru 20. stoletja. Njeno pesniško ustvarjanje je nerazdružljivo z njenim političnim aktivizmom, saj gre hkrati tudi za eno najvidnejših teoretičark drugega vala feminizma, katere delo je omogočilo pomembne premike v razumevanju materinstva, lezbične izkušnje ter ženskega pisanja. V nalogi sem analizirala tri pesniške zbirke iz srednjega obdobja pesničinega ustvarjanja med letoma 1973 ter 1981 ter se pri analizi osredotočila na konstrukcijo narave, pomen in prisotnost vode in vodnih teles, prisotnost živalskega ter pomen umeščenosti subjekta v pokrajino. Naravni svet se v poeziji Adrienne Rich pogosto kaže kot mesto razkola med naravo in kulturo, zato sem se pri analizi opirala na teoretske temelje sodobnih materialnih feminizmov, npr. na delo Stacy Alaimo, Donne Haraway in Astride Neimanis, ki v svojem delu raziskujejo možnosti preseganja binarnega pojmovanja sveta ter odpirajo nove možnosti sodobne feministične misli. In this thesis, I have examined the poetry of the American poet Adrienne Rich through an ecocritical perspective. Adrienne Rich (1929–2012) was one of the most influential poets in American 20th-century literature. Her poetic oeuvre is inseparable from her political activism, as she is also one of the most prominent thinkers of second-wave feminism and has enabled important shifts in the understanding of motherhood, the lesbian experience, and women's writing. In this thesis, I have analyzed three poetry collections spanning between the years 1973 and 1981. In the analysis, I focused on the construction of nature, the meaning and presence of bodies of water, the presence of animals, and the significance of landscape. In Adrienne Rich's poetry, the natural world often appears as a stage for the division between nature and culture. For this reason, my theoretical foundations mainly come from contemporary material feminisms, e.g. the work of Stacy Alaimo, Donna Haraway, and Astrida Neimanis, who explore the possibilities of transcending the binary conception of the world and open up new possibilities for contemporary feminist thought. ameriška poezija feminizem ekokritika ekofeminizem Adrienne Rich merican poetry feminism ecocriticism ecofeminism Adrienne Rich true false false Slovenski jezik Angleški jezik Magistrsko delo/naloga 2023-10-08 07:45:02 2023-10-08 07:45:11 2024-03-26 10:30:43 0000-00-00 00:00:00 2023 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 535487 168503299 31697.pdf 31697.pdf 1 B6AA5FBAA1662BC6EB5BCE06D7191ADE 7bfa8699f2cf82fc483a317a33e249b2fdaf7b290f6f9e75c84220011bf8a03e d9317f14-659d-11ee-a1c3-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=176492 Filozofska fakulteta 0 0 0