20.500.12556/RUL-151178 Izražanje strahu v kiparstvu magistrsko delo Expression of Fear in Sculpture V magistrskem delu raziskujem, kako se izraža čustvo strah v kiparstvu. Preden lahko čutimo neko čustvo, je treba zaznati dražljaje, zato najprej na kratko omenim čute in zaznavo. Opredelim, kaj so čustva, se poglobim v čustvo strah in strah pri otrocih. Ker so fobije ekstremno povečana oblika strahu, predstavim tudi najpogostejše. Skozi zgodovino umetnosti so umetniki izkoriščali čustvo strah kot enega močnejših čustvenih vzvodov. O tem je pisalo tudi več različnih teoretikov in umetnikov, nekatere od teh omenim tudi v magistrskem delu. Raziskujem, kako se strah izraža v kiparstvu skozi dela različnih umetnikov. Skozi celotno zgodovino umetnosti se na vseh področjih čustvo strah izraža na različne načine, ker pa zajema to področje obsežno zgodovino, sem se pri izbiri kiparjev osredotočila predvsem na umetnike, ki so imeli močan vpliv pri razvijanju moje umetniške identitete. Poleg tega sem imela možnost videti v živo nekatera njihova kiparska dela ter jih s tem celostno doživeti. Predstavim tudi nekaj avtorskih kiparskih del. V empiričnem delu raziskujem odražanje strahu pri likovnem izražanju otrok v kiparstvu. In this master thesis, I explore how the emotion of fear is expressed in sculpture. Before we can feel an emotion, we need to perceive a stimulus, so first I briefly mention the senses and perception. I define what emotions are and have a deeper look at fear and fear in children. As phobias are an extremely heightened form of fear, I also introduce the most common ones. Throughout the history of art, artists have exploited the emotion of fear as one of the most powerful emotional levers. Several different theorists and artists have written about this, some of whom I mention in my master's thesis. I explore how fear is expressed in sculpture through the work of different artists. Throughout the history of art, the emotion of fear has been expressed in different ways in all fields, but as this field covers a vast history, I have focused my choice of sculptors mainly on artists who have strongly influenced the development of my own artistic identity. I have also had the opportunity to see some of their sculptures in person and have thus experienced them in a holistic way. I also present some of my own sculptures. In the empirical part of this thesis, I explore the reflection of fear in children's artistic expression in sculpture. strah čustva kiparstvo umetnost fobije fear emotions sculpture art phobias true false false A. Jamnik Slovenski jezik Angleški jezik Magistrsko delo/naloga 2023-09-30 08:30:06 2023-09-30 08:30:08 2023-10-02 07:39:05 0000-00-00 00:00:00 2023 0 Ljubljana 0 Ljubljana 83 str. 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 73(043.2) 157241 20.500.12556/RUL-151178 166479107 26938.pdf 26938.pdf 1 FE895CECB0A031A56A4C37B2EA3EBE9F b941931cbb5c301593f1bac4228c3c3a168ae5135f220e679d60f0bb40a5e120 cdba1be0-5f5a-11ee-9098-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=176088 Pedagoška fakulteta 0 0 0