20.500.12556/RUL-150485 O zgodovinskem razvoju sejma umetnosti / Bienalizirano ali banalizirano? On the historical development of art fairs / Biennialization or banalization? Magistrsko delo raziskuje umetniški sejem kot platformo prezentacije in prodaje ter izpostavlja mejnike njegovega razvoja. Spremembe njegovih strukturnih lastnosti doprinašajo prostor za refleksijo o specifikah časa, sistemih vrednot in razumevanju umetnosti v odnosu do klasičnega blaga skozi zgodovino. Sodobni sejmi so rezultat stotin let razvoja religioznih festivalov in potreb, ki nastopijo ob organizaciji velikih družabnih dogodkov. Raziskava se začne v antičnem Rimu 200 let p. n. št. s sejmom ob prazniku saturnalij. Iz stojnične prodaje preidemo do pokritih prodajnih prostorov kot je bil Pand Matere Božje v Antwerpnu v 15. st. Temu je kontriral živahnejši haški kermis, praznovanje Nizozemske republike od leta 1630 dalje. Po mednarodni razsežnosti je bila nekonkurirana 1. Svetovna razstava 1851 v Londonu, za demokratiziranje umetniškega sejma je bil ključen Salon zavrnjenih leta 1863. Temu sledi The Armory Show, ki je leta 1913 redefiniral tovrstne udarne dogodke z intenzivnostjo svoje medijske pokritosti. Tega preseže dvojica sejmov Art Cologne in Art Basel, ki ju po mednarodni mreži izpodrinejo samo globalni umetniški sejmi kot sta ARCOmadrid in Art Basel Miami Beach in drugi sodobni velikani področja. This Master's thesis focuses on the art fair as a presentation and sales platform while researching the main cornerstones of its evolution. Changes to its structural properties bring space for reflection on the specifics of an era, its systems of values, and its understanding of art in relation to classic goods through history. Contemporary fairs result from hundreds of years of evolution of religious festivals and the need of organizing large-scale social events. This analysis begins in Ancient Rome in 200. BCE with the fair of Saturnalia. Its stall sales were followed by covered sales rooms like Our Lady's Pand in 15th century Antwerp. This was contrasted by the livelier Haag kermis, a celebration by the Dutch Republic from 1630 onwards. The international reach of the Great Exhibition of 1851 in London was unrivaled, but for the democratization of the art fair, the Salon des Refusés of 1863 was crucial. This was followed by The Armory Show in 1913, which redefined such impactful events with the intense media coverage it received. This was topped by the pair of art fairs Art Cologne and Art Basel, whose international reach was overshadowed only by global art fairs like ARCOmadrid and Art Basel Miami Beach among other contemporary giants of the field. Slikarstvo O zgodovinskem razvoju sejma umetnosti prodajna umetnost umetniški sejem razvoj festival sejem dogodek magistrska naloga Painting On the historical development of the art fair for-profit art art fair development festival fair event MA thesis true false false Slovenski jezik Angleški jezik Magistrsko delo/naloga 2023-09-19 09:00:51 2023-09-19 09:00:56 2023-09-20 03:37:28 0000-00-00 00:00:00 2023 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 29559 6019.pdf 6019.pdf 1 72A44DD8E6E7BF137387E41C48405AF8 9f8c7efb57ae621bda2ee1891df325cb2db7db5f4300ccae3688f1545c241716 4803cf88-56ba-11ee-a30d-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=175075 6020.pdf 6020.pdf 1 DEF517EAC2E2AA43EBFF2AE1E000E5AA b0718171487cb576bb0ebd858a795cd0524926ba0db97a8d8eee71a5865a9571 48049cc5-56ba-11ee-a30d-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=175076 Akademija za likovno umetnost in oblikovanje 0 0 0