20.500.12556/RUL-150249 Ilustracija v prostoru Illustration in Space V diplomski nalogi bom v analitično-raziskovalnem in praktičnem delu raziskovala nove dimenzije ilustracij, katerih vsebina se dotika vprašanj o človeški psihi in obstoju, neizogibni eksistenci, kaj je tisto, kar daje smisel človeku v urejenem okolju. Delo odgovarja na vprašanje dileme o razširjenosti dimenzij ilustracije, njene pojavnosti v tridimenzionalnem prostoru ter posledične vplive prostorskih dejavnikov, kot so ambientalna svetloba, telesnost objektov, teža, napetosti ter kontrastnosti v kompoziciji. Skladno z likovnim se prepleta vsebinska nit, ki izvira iz idej literarnih smeri 2. polovice 20. stoletja v Evropi, predvsem eksistencializma in ekspresionizma, in poskusa njihovega prepesnjena v prostoru in materialu. Tehnike, s katerimi orisujem, je ilustrirano dogajanje, ki se od klasičnih risarskih in slikarskih tehnik razlikuje v svoji naravni materiji, oprijemljivi masi, ki je zaznavna v prostoru. Neklasični načini oblikovanja keramike, kot so gradnja iz ploskev in klesanje v glini ponujajo nov vpogled v oblikovanje keramike in njeno sentimentalno plat. Primarni material je žgana glina/keramika, ki predstavlja voluminozno ter konstrukcijsko formo, sekundarni pa bi bili vsebinsko in likovno krhki in občutljivi organski materiali, vsakdanji in najdeni v naravi, kot so posušene vejice, čajni filtri, lišaji, pesek, mahovi itd. Izbira materiala bi vplivala na opazovalčeva občutja s pomočjo lastnosti materije v njihovem soodvisnem uravnanem okolju. In my thesis, I will explore in analytical research and practical work the new dimensions of depiction of illustrations, what content would touch questions about the human psyche and existence, the inevitable existence of what is what makes sense in orderly. The work would answer the question of the dilemma of the prevalence of the dimensions of the illustration, its incidence in the three-dimensional space and the consequent effects of spatial factors such as ambient light, physicality of objects, weight, tension and contrast in composition. In accordance with the art, a substantive thread is intertwined, which would stem from the ideas of the literary directions of the 2nd half of the 20th century in Europe, before all existentialism and expressionism, and the attempt to sing them into space and material. The techniques used to outline/ illustrate what is happening differ from classical drawing and painting techniques in their natural matter, a tangible mass that is perceptive in space. Non-seasonal methods of ceramic design, such as plot construction and steeling in clay, offer a new insight into the design of ceramics and the sentimental side. The primary material would be spirit clay/ ceramics, representing bulky and structural form, and secondary material as artistically fragile and sensitive organic materials, everyday and found in nature, such as dried twigs, tea filters, lichens, sand, mosses, etc. The choice of material would affect the observer's feelings through the properties of matter in their interdependent environment. unikatno oblikovanje ilustracija prostor porcelan pripovedovanje zgodbe eksistencializem v književnosti diplomska naloga. applied arts illustration space porcelain storx telling existentialism in literature BA thesis. true false false Slovenski jezik Angleški jezik Diplomsko delo/naloga 2023-09-15 09:00:02 2023-09-15 09:00:05 2023-09-17 03:34:30 0000-00-00 00:00:00 2023 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 29396 7632.pdf 7632.pdf 1 96D24A7B191FDBFEC0E00F23E0E4BBAA 8a563836ba253e7c33cfd03bed17028993f64d4df926ca186c2d75a01e2a48b4 848bb53a-5395-11ee-9ef6-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=174816 Akademija za likovno umetnost in oblikovanje 0 0 0