20.500.12556/RUL-150055 Izvor podobe Origin of image Diplomska naloga služi kot soustvarjalna komponenta ustvarjene končne likovne podobe, torej nanjo gledam kot na sograditeljico lastne likovne prakse. Za lažje razumevanje procesa raziskujem definicijo podobe kot take, v kakšnem odnosu je ta z individuumom, posledično kolektivom, in kakšno vlogo pri obeh igra medij. V ospredju je prav tako osmišljanje lastnega kreativnega procesa, ki me je vodil do končnih rezultatov, zato se zastavi vprašanje izvora, ki ga nosi naslov diplomske naloge. Če se zgodi v realnem svetu pri izkustvu izbranega predmeta – v tem primeru cigarete, ki si jo sam kot ustvarjalec izberem za smoter likovne prakse, postane ta akter ali povezovalni subjekt ustvarjalčevega dela. Predmet interesa tako poskušam najprej razstaviti na prafaktorje in se, kolikor je mogoče, poglobiti v objektivne ideje, ki so nanj vezane, subjektivne asociacije, ki ga imajo možnost pomensko razširiti; nato ga rekonstruiram in preoblikujem z izbranimi gradniki v likovni simbol ter ga formuliram skozi likovno prakso, posledično izdelek. Če je medij povezovalno tkivo, poskušam pripisati to lastnost obenem tudi sebi; torej jaz, individuum, ki se vsakodnevno neizbežno sooča(m) z vizualnimi podatki, ki sprožijo reakcijo, hkrati nosi potencialno možnost, da skozi subjektivne miselne pretvorbe vodi do ustvarjalnega procesa in ga iniciira. The thesis serves as a co-creative component of the final artistic image; thus, I consider it as a co-builder of my own artistic practice. To facilitate understanding of the process, I explore the definition of the image itself and its relationship with the individual and consequently the collective, as well as the role of the medium in both contexts. Additionally, the focus lies in giving meaning to my own creative process, which has led me to the final outcomes, raising questions about its origin, which the title of the thesis carries. If it occurs in the real world through the experience of a selected object – in this case, a cigarette, which I, as a creator, choose as the purpose of my artistic practice – this object becomes the protagonist or the connecting subject of a creator’s work. I attempt to deconstruct the object of interest into its primary elements and delve into objective ideas associated with it, as well as subjective associations that have the potential to expand its meaning. Then, I reconstruct and transform it using selected components into a visual symbol, formulating it through artistic practice, resulting in the final artwork. If the medium acts as the connecting tissue, I attempt to apply this quality to myself as well – as an individual who inevitably confronts visual information daily, which triggers reactions, while also holding the potential to lead through subjective thought processes toward the creative process and initiating it. slikarstvo telo uvideti podoba medij simbol cigareta religija diplomska naloga. painting body to take in image medium symbol cigarette religion BA thesis. true false false Slovenski jezik Angleški jezik Diplomsko delo/naloga 2023-09-13 09:00:32 2023-09-13 09:00:34 2023-09-15 03:29:30 0000-00-00 00:00:00 2023 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 29327 7743.pdf 7743.pdf 1 63C90FC88A9C402363D13C61F604AD19 91c18dc9d29faad0c7750992756f6b05e7b01f2063273c0387bbf4d8e2089468 3c36fe98-5203-11ee-916e-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=174591 Akademija za likovno umetnost in oblikovanje 0 0 0