20.500.12556/RUL-149843 Kriza avtoritete skozi filmske reprezentacije Charlesa Mansona diplomsko delo The crisis of authority through film representations of Charles Manson Diplomsko delo poskuša prikazati, kako filmske reprezentacije Charlesa Mansona – Helter Skelter, Once Upon A Time In Hollywood in Charlie Says – slikajo krizo avtoritete. Obdobje šestdesetih let prejšnjega stoletja so na ameriških tleh zaznamovali družbeni prevrati, ki so višek dosegli leta 1969, ko je kult pod vodstvom Charlesa Mansona izvedel dva okrutna umora, poznana kot umora Tate-LaBianca. Delo v okvirjih izbranih produktov popularne kulture skozi prizmo ameriške kontrakulture predstavlja krizo takratnih konvencionalnih instanc avtoritete, figure starša in esteblišmenta, ki ju tako razume kot klasični instanci avtoritete in ki napotuje na to, da se ljudje v kaosu, ki ga prinesejo družbeni prevrati, radi zatečejo k novi avtoriteti in tudi religioznosti, ki pride z njo. Natančneje, govori o vzponu karizmatičnega modela avtoritete, kar poudari raziskovanje pomena karizme, religiozna podstat pa napotuje na njen celostni pomen za Vodjo, njegove privržence in odnos med obojimi ter ne nazadnje za delovanje njihove skupnosti. Prek različnih poudarkov in perspektiv ter ne nazadnje pozicije oziroma opredelitve do omenjenih zločinov kritično vrednoti odnos instance Hollywooda in sugerira prevpraševanje družbene vloge tovrstnih filmov. The thesis aims to show how the film representations of Charles Manson - Helter Skelter, Once Upon A Time In Hollywood and Charlie Says - depict a crisis of authority. The 1960s were a period of social upheaval on American land, culminating in 1969 when a cult led by Charles Manson carried out two brutal murders known as the Tate-LaBianca murders. The work frames selected products of popular culture through the prism of the American counterculture, presenting the crisis of the then conventional instances of authority, the figure of the parent and the establishment, which it understands as the classic instances of authority, and suggesting that in the chaos brought about by social upheaval, people tend to turn to a new authority and the religiosity that comes with it. More specifically, it speaks of the rise of the charismatic model of authority, which emphasises the exploration of the meaning of charisma, while the religious essence refers to its holistic meaning for the Leader, his followers and the relationship between the two and, ultimately, the functioning of their community. Through different emphases and perspectives and, last but not least, the position or definition of the crimes in question, it critically evaluates the attitude of the Hollywood instance and suggests a re-examination of the social role of such films. Charles Manson karizma avtoriteta kriza Hollywood Charles Manson charisma authority crisis Hollywood true false false [P. Oreški] Slovenski jezik Angleški jezik Diplomsko delo/naloga 2023-09-11 07:48:12 2023-09-11 07:48:17 2024-03-26 14:59:19 0000-00-00 00:00:00 2023 0 Ljubljana 0 Ljubljana 36 f. 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 316.74:79 530154 190427651 31269.pdf 31269.pdf 1 683CA7D4DF54C55DD51D9F4F46458433 5bb79718015b7f16dc548fc64964c67b67772d3f97ba295650ebcb427833bff4 ce2b58af-5066-11ee-9bb0-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=174347 Filozofska fakulteta 0 0 0