20.500.12556/RUL-149805 Brueglovi Lovci v snegu v sodobni poeziji: Dve sliki Braneta Senegačnika in Brueghel's Snow Anne Stevenson diplomsko delo Brueghel's Hunters in The Snow in Contemporary Poetry: Two Pictures by Brane Senegačnik and Brueghel's Snow by Anne Stevenson Diplomsko delo na kratko predstavi in osvetli kompleksni pojem ekfraze v preteklosti in sedanjosti, predvsem pa se osredotoča najprej na posamično analizo, kjer gre za primerjavo med likovnim delom in pesmijo, potem pa še komparativno analizo dveh pesmi. Ne le, da sta obe v dialogu z renesančno sliko mojstra Bruegla starejšega z naslovom Lovci v snegu, ki je pritegnila mnoge pesnike, temveč se na le-to tudi bolj ali manj eksplicitno nanašata. Obe pesmi se uvrščata v sodobno poezijo; prva, ki ima naslov Dve sliki, je napisana s peresom slovenskega pisatelja Braneta Senegačnika, drugo, katere naslov je Brueghel's Snow, pa je napisala angleško-ameriška pisateljica Anne Stevenson. Čeprav sta pesmi tako idejno kot oblikovno zasnovani popolnoma drugače – po eni strani se Stevenson v petkitični pesmi fokusira na tri lovce, po drugi strani pa Senegačnik v sonetu največ pomembnosti pripisuje času, ki je »ujet« na umetnini in posledično tudi drugi sliki – je mogoče med njima potegniti nekaj vzporednic. Ena izmed najpomembnejših je ravno pojav druge oziroma nenaslikane slike, katere odraz je mogoče najti tudi v teoretični sferi – oba teksta se namreč iz navidezne zaprte oziroma priprte različice ekfraze proti koncu iztečeta v konceptualno varianto. Splošna definicija ekfraze, ki je v svojem bistvu opis umetnine, seveda tu ne (vz)drži, saj gre pri obeh obravnavanih umetniških besedilih za nekaj več kot le zgolj opis. The thesis briefly introduces and sheds light on the complex concept of ekphrasis in the past and the present, focusing first on the individual analysis, where the comparison between the artwork and the poem is made, and then on the comparative analysis of the two poems. Not only are both in dialogue with the Renaissance painting by Bruegel the Elder entitled Hunters in the Snow, which allured many poets, but they also refer to it more or less explicitly. Both poems are considered contemporary poetry; the first, entitled Two Pictures, was written by Slovenian writer Brane Senegačnik, while the second, entitled Brueghel's Snow, was written by the Anglo-American writer Anne Stevenson. Although the two poems are completely different regarding the idea and form – on the one hand, Stevenson focuses on the three hunters in the five-stanzas poem, while Senegačnik places the greatest importance on time in his sonnet, which is captured in the artwork and, consequently, also on the second picture – it is possible to draw some parallels between the two poems. One of the most important of these is precisely the phenomenon of the second or unpainted picture respectively, which is also reflected in the theoretical sphere – both texts move from the closed and ajar type towards the end into a conceptual variant of ekphrasis. The general definition of ekphrasis, which is essentially a description of a work of art, is of course not true here since both of the lyrical texts in question are something more than a mere description. literatura in slikarstvo sodobna poezija ekfraza Pieter Bruegel starejši: Lovci v snegu Brane Senegačnik: Dve sliki Anne Stevenson: Brueghel's Snow literature and painting contemporary poetry ekphrasis Pieter Bruegel the Elder: Hunters in The Snow Brane Senegačnik: Two Pictures Anne Stevenson: Brueghel's Snow true false false [H. Hvala] Slovenski jezik Angleški jezik Diplomsko delo/naloga 2023-09-10 07:46:24 2023-09-10 07:46:27 2023-09-22 11:45:21 0000-00-00 00:00:00 2023 0 Ljubljana 0 51 str. 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 530121 163958531 30962.pdf 30962.pdf 1 F2FE3704D69C9E702918B5F9A17B5853 a03fbf60fde1820cf6a3ba08da773819da35188beb6420ac73a0614750f9847f 62551c65-4f9d-11ee-a2ce-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=174309 Filozofska fakulteta 0 0 0