20.500.12556/RUL-149028 Paviljon kot likovni konstrukt v prostoru in času Pavilion as an art construct in space and time Namen moje diplomske naloge je na idejni ravni raziskovati fenomen paviljonov, opozoriti na njihovo prisotnost, pomembnost, trivialnost, ornamentalnost, in jim s tem oddeliti malo več prostora, kot ga sedaj zasedajo. Želela sem odgovoriti na vprašanje, kakšna sta pomen in oblika tako tradicionalnih kot sodobnih paviljonov v urbanem prostoru. Zasledovala sem idejo, ali ima paviljon namen, ali služi le kot estetski objekt. Ugotovila sem, da je paviljon v svojem bistvu objekt, konstrukcija, in nosi močan socialni potencial. Nalogo sem obravnavala na idejni in na likovni (vizualni) ravni; slednje na način ustvarjanja po vzoru tipiziranih arhitekturnih fotografij – tipologij – paviljonov, kot sta se ga posluževala nemška umetnika Bernd in Hilla Becher. Po tem modelu sem ustvarila izvirno vizualno rešitev problema neopaznosti tradicionalnih paviljonov. Ta – becherski – način razkrije mnoštvo pojavnih oblik teh struktur ter gledalcu ponudi iskanje pod(r)obnosti in raznolikosti, medtem ko avtorska izpeljanka paviljone osmisli in osvetli kot objektive-okvirje. The purpose of my bachelor thesis was to explore the phenomenon of pavilions and point out their presence or the lack of it, their importance, triviality, ornamentality and thus give them more space than what they are occupying right now. I was in pursuit of an answer to the question: What are the purpose and the form of both traditional and contemporary pavilions in the urban environment? I discovered that the pavilion is in its essence an object, a construction that carries a strong social potential. I approached the problem on two levels, conceptually and visually, the latter through creative work with own photographs of pavilions, inspired byGerman artists Bernd and Hilla Becher's architectural photos – typologies. Utilising this approach I created a unique visual solution to the problem of inconspicuousness of traditional pavilions. This – becherian – façon exposes the multitude of forms of these structures and invites the spectator to seek for details, similarities and differences. In comparison, my solution attributes meaning to pavilions as a type of frames, through which one can look. vizualne komunikacije fotografija arhitekturna fotografija tipologija paviljon namen/pomen diplomska naloga visual communications photography architectural photography typology pavilion purpose/meaning BA thesis true false false Slovenski jezik Angleški jezik Diplomsko delo/naloga 2023-09-02 09:00:04 2023-09-02 09:00:06 2023-10-02 12:19:58 0000-00-00 00:00:00 2023 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 29025 6044.pdf 6044.pdf 1 60ED038B668D23A11A6CFF33867F5F14 7905440ca8733e6b413d95c87aa494b14e1751da53d2d626203536bbd809afb9 5b32f7f0-495e-11ee-af86-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=173412 Akademija za likovno umetnost in oblikovanje 0 0 0