20.500.12556/RUL-148520 Prostor in gledalec utelešena zaznava v umetnosti instalacije Space and spectator embodied perception in the art of installation Umetnost instalacije, ki se poudarjeno osredinja na razmerje med umetniškim delom, prostorom in gledalčevo izkušnjo, se je razvijala ob sočasnih spremembah znanstvenih in filozofskih razlag realnosti ter subjektivitete. Prostorske postavitve določenih umetnikov zgodnjih avantgard so v ukvarjanju z materialnimi vidiki umetnine (kolaž, asemblaž) nakazale tudi smer dematerializacije v umetnosti, ki v poudarjanju participatorne izkušnje namenja posebno mesto gledalcu. Raziskovanje pogojev širitve zaznavne in kognitivne izkušnje gledalca se z novimi poudarki nadaljuje v fenomenološko usmerjenih delih minimalistične umetnosti v 60. letih, zlasti pa v okviru sočasno nastajajočih lokacijsko-specifičnih intervencij umetnikov kalifornijskega gibanja Svetloba in prostor. Sodobno izkustvo prostora določajo tehnološka (digitalna) razširitev realnosti (virtualnost, simulacija) in postmoderni modeli utelešene, vendar razsrediščene subjektivitete, novejša odkritja nevroznanosti pa razkrivajo pomen utelešene simulacije v kognitivno-zaznavni izkušnji. Umetniška instalacija danes raziskuje oblike tehnološko razširjenega senzoriuma in pogoje gledalčeve participatornosti v kontekstu tehnonarave in novih prostorskih heterotopij ter z intenziviranjem večsenzorične percepcije ustvarja nove oblike kognitivnih utelešenih izkušenj gledalca. Installation art, which emphasizes the relationship between the artwork, the space, and the viewer‘s experience, developed under the influence of simultaneous changes in scientific and philosophical paradigms of reality and subjectivity. Through their treatment of the material aspects of the artwork (collage, assemblage), the spatial interventions of certain early avantgarde artists indicated a tendency toward dematerialization in art, which particularly emphasized the participatory experience of the viewer. The exploration of the conditions of the spectator‘s expanded perceptual and cognitive experience continued with a new vigour with the phenomenologically-oriented minimal art in the 1960s, particularly in the context of the simultaneously emerging site-specific interventions of Californian artists that belonged to the Light and Space movement. The contemporary experience of space is shaped by the technological (digital) extension of reality (virtuality, simulation) and postmodern models of embodied but self-centered subjectivity, and is further formed by recent neuroscientific research that reveals the significance of embodied simulation in a cognitive-perceptual experience. Today, installation art explores the potential of a technologically sophisticated sensorium and the conditions of the viewer‘s participation in the context of the techno-nature dichotomy and new spatial heterotopias. By drawing on and enhancing the power of multi-sensory perception, it creates new forms of cognitive and embodied viewer experiences. umetniška instalacija prostor utelešena simulacija nevroznanost fenomenološko izkustvo art installation space embodied simulation neuroscience phenomenological experience true false true Slovenski jezik Angleški jezik Licenca Creative Commons CC BY-NC-ND je navedena na pristajalni strani članka (glej izvorni URL) oz. na dnu vseh spletnih strani revije (https://www.ckz.si/). (Datum opombe: 24. 1. 2024) Članek v reviji 2023-08-25 11:22:13 2023-08-25 11:22:13 2024-01-24 10:57:53 0000-00-00 00:00:00 2018 0 0 Str. 27-54 št. 274 Let. 46 2018 0000-00-00 Zaloznikova Objavljeno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 7.01:114 0351-4285 3869550 Prostor_URN_NBN_SI_doc-0K46FWBP.pdf Prostor_URN_NBN_SI_doc-0K46FWBP.pdf 1 2E119DA3CFEB48F72B30650D9328D807 12a89360d58d85f8f302319230ef56828f8e31f0143a5af50c652a689e995332 02edb9ad-4329-11ee-b9d7-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=172777 https://www.ckz.si/arhiv-ckz/190-stevilka-274-invencije-prostora-na-preseciscu-umetnosti-znanosti-in-filozofije-arhitektura-subjektivacija 0 43af2409-4329-11ee-b9d7-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=172778 Akademija za likovno umetnost in oblikovanje 0 0 0