20.500.12556/RUL-148062 Paolo Giovio in njegova zbirka portretov znanih mož Paolo Giovio and his collection of portraits of famous men Namen te zaključne seminarske naloge je predstaviti eno najbolj znanih imen v muzeologiji, Paola Giovia, natančneje njegove dejavnosti kot zbiratelja in humanista. Njegova zbirka portretov ob jezeru Como je bila prva zbirka, ki se je nahajala v ločeni stavbi, zgrajeni prav v ta namen, zaradi česar danes velja za prototip muzeja. Giovijevo delovanje časovno umeščamo v prvo polovico 16. stoletja, torej v obdobje renesanse, ki je prinesla popolnoma novo dojemanje umetnosti, znanja in kulture. Spremenila je način razmišljanja, najprej s ponovnim odkritjem klasične filozofije, literature in umetnosti, pa tudi z novimi odkritji na področju znanosti. Seveda se je začel spreminjati in razvijati tudi namen ne le posedovanja in razstavljanja zbirk, temveč tudi portretov samih. Giovio je postal precej pomembna osebnost za vse tiste, ki jih je zanimalo zbirateljstvo, zato je njegov muzej vzbudil veliko občudovanja in posnemanja. V drugi polovici naloge je opisanih in obravnavanih nekaj takšnih zbirk, ki pa izhajajo, kljub navdihu, ki so ga našle v Giovijevi, vseeno še iz nekaterih drugačnih zamisli, ter imajo drugačno strukturo in namen. This thesis, aims to discuss one of the most famous personalities in museology, Paolo Giovio. His collection of portraits at Lake Como, was the first collection to be housed at a seperate building, built for that exact purpose. Because of this, it is now widely considered to be a museum prototype. Created in the first half of the 16th century, it is perfectly placed into the Renaissance, which cultivated a new understanding of art, knowledge, and culture. It changed the way the people thought, with first the rediscovery of classical philosophy, literature, and art, as well as new discoveries in science. Of course, the purpose of not only owning and displaying collections, but also of portraits, was starting to change and evolve as well. Giovio became a rather important personality for all those who were interested in collecting, which is why his museum inspired much admiration and immitation. In the second half of the paper, a few of those inspired collections are described and discussed, with the intention of pointing out that, while inspired by Giovio, they nevertheless were based on different ideas and had different structures and purposes. paolo giovio muzeologija muzej renesansa medici portreti portretne zbirke paolo giovio museology museums renaissance medici portraits portrait collections true false false Slovenski jezik Angleški jezik Diplomsko delo/naloga 2023-07-26 13:09:03 2023-07-26 13:09:07 2023-09-21 14:31:40 0000-00-00 00:00:00 2023 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 521505 165285891 28667.pdf 28667.pdf 1 C73100133002E1F984A6CE1E30C05913 d7469309fa3435729bc1e25595a17679fd7ae35b6a1da5b6aa2a9ce04ee17260 cd25b4d1-2ba4-11ee-aeaf-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=172001 Filozofska fakulteta 0 0 0