20.500.12556/RUL-146943 Selfie in fotografski avtoportret v digitalni dobi magistrsko delo Selfies and photographic self-portraits in the digital age V svojem magistrskem delu obravnavam odnos med fenomenom selfieja in fotografskim avtoportretom v digitalni dobi, in sicer v smislu kontinuitete in preloma oziroma podobnosti in razlik med tema dvema vrstama fotografskega izražanja, potem pa se posvetim še dihotomnosti med afirmativnim in odklonilnim diskurzom, ki ju zaznamuje. Moje teze so, da je enačenje selfieja in fotografskega avtoportreta kot pojmov in konceptov napačno, da ima fenomen selfieja določene potenciale, ki jih ne smemo zanemariti, in da je širok spekter različnih odnosov do fenomena predvsem poveden odraz sveta, v katerem trenutno živimo. S pomočjo vrste klasičnih kulturoloških pristopov v magistrskem delu pridem do ugotovitev, da je selfie hkrati več in manj od fotografskega avtoportreta, da je na fenomen treba gledati izrazito interdisciplinarno, da ga lahko glede na zorni kot razumemo kot neizprosno orodje moči ali pa kot izrazito emancipatornega in da je bolj od razumevanja razlogov za dihotomijo med afirmativnim in odklonilnim odnosom do selfieja pomembno, da dihotomijo prepoznamo kot simptom duha časa, družbe in kulture, v katerih živimo. The subject of this master's thesis is the relationship between selfies and photographic self-portraits in the digital age, namely in relation to the (dis)continuity and the similarities and differences that exist between them. Additionally, it also includes an analysis of the dichotomy between affirmative and negative discourses surrounding the selfie phenomenon. My theses are as follows: equating selfies and self-portraits as signifiers and concepts is flawed; the selfie has a certain potential that should not be overlooked; the wide variety of different stances toward the selfie is a telling demonstration of the world we live in. With the use of several established approaches from the field of cultural studies, I conclude that the selfie is both more and less than a photographic self-portrait, that the phenomenon should be studied in a markedly interdisciplinary manner, that it can be understood as a ruthless tool for wielding power or a strikingly emancipatory thing, depending on one's point of view, and that, instead of trying to comprehensively grasp the reasons for the dichotomy between affirmative and negative stances toward the selfie, it is more pertinent to recognise it as a symptom of our zeitgeist, society and culture. selfie fotografski avtoportret digitalna doba vmreženi fotoaparat sebstvo selfie photographic self-portrait digital age networked camera the self true true false [J. Bulc] Slovenski jezik Angleški jezik Magistrsko delo/naloga 2023-06-16 12:36:52 2023-06-16 12:37:00 2023-06-26 10:06:03 0000-00-00 00:00:00 2023 0 Ljubljana 0 Ljubljana 55 str. 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 316.7:7.041.53(043.2) 149080 156768003 10783.pdf 10783.pdf 1 08752EBF2116EC467F9397F7A9BD1D29 f53caafc2919c783321e53956a1cfbdfc64677d43b317d79fedc283cbb2ab1ec 5e45fe23-0c31-11ee-a314-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=170279 Fakulteta za družbene vede 0 0 0