20.500.12556/RUL-146807 Risarsko izražanje skozi klasično animacijo Drawing expression through classical animation Skozi diplomsko nalogo je predstavljena in izpeljana tehnika animiranja sličica za sličico in sicer risana animacija, saj smo z njo lahko najbolje poustvarili čustva, karakter in razpoloženje nastopajočih risanih junakov. Teoretični del opisuje in se zgleduje po domačih in tujih animatorjih ter primerja in analizira njihov način animiranja. Analizirani animatorji so Walt E. Disney, Zlatko Grgić, Saša Dobrile, Miki Muster, Zvonko Čoh, Milan Erič in Grega Mastnak. Analizirani animatorji in njihova dela spadajo v različna časovna obdobja ter geografske prostore, kar daje širši pogled na razvoj animacije ter njihove medsebojne vplive in podobnosti. Teoretični del prav tako zajema predstavitev osnovnih principov animiranja, ki služijo pri analiziranju risanih animacij podanih avtorjev ter pri sami izdelavi risane animacije. Praktični del zajema predstavitev delovnih postopkov, potrebno opremo, proces načrtovanja ter celoten delovni proces izdelave risane animacije. V proces načrtovanja spada izdelava skic likov, izris zgodborisa in glavne zgodbe, izris vseh ozadij glede na zgodboris, izbor glavnih barvnih tonov ozadij in likov ter določitev snemalnih kotov kamere in glede na njih izris profilov likov. Nato sledi proces animiranja sličica za sličico, po metodi linearnega animiranja (angl. straight forward), kar pomeni, da se izrisuje sličice zaporedoma, od prve, preko vmesnih sličic, do zadnje. V zadnjem delu praktičnega dela, se scene združijo v celotno animacijo, ter se dodajo posebni učinki, prehodi ter zvoki, ki še bolj popestrijo animacijo. Rezultat diplomskega dela je klasična risana animacija v kateri nastopi množica različnih likov, ki so poustvarjeni skozi risano risbo, sličica za sličico. Pri tem je bila pozornost skoncentrirana na obrazne poteze, gibe, način gibanja, zvočno podlogo, premikanje kamere, postavitev lika v kader, barve in celotno likovno zasnovo nastopajočih junakov, saj se preko teh izrazi njihov značaj in razpoloženje. Spoznanje, da kljub temu da je dandanes proces animiranja precej olajšan, klasična animacijska tehnika še vseeno vzame veliko časa, ter zahteva veliko mero risarskega in tehničnega znanja, vendar omogoča množico različnih rezultatov in interpretacij dane vsebine. Through the degree paper the technique of animating frame by frame, is presented and executed, it is the best way to recreate the emotions, personality and mood of the cartoon heroes. Cartoon animation requires a lot of drawing and art-theoretical knowledge, theoretical part relies on and takes inspiration from domestic and foreign animators, comparing them to each other and analyzing their way of animating. The animators are Walt E. Disney, Zlatko Grgić, Saša Dobrile, Miki Muster, Zvonko Čoh, Milan Erič, Grega Mastnak and Matej Lavrenčič. The analyzed animators and their works belong to different time periods and geographical locations, which shows a better view of the progress in animation and their mutual influences and similarities. Theoretical part also includes the basic principles of animation, which is helpful in analyzing cartoon animations of the given authors and in the production of the animation itself. Practical part covers the presentation of work processes, the necessary equipment, the planning and the entire work process of creating a cartoon animation. Planning process includes the creation of character sketches, drawing of the story outline and main story, drawing of all backgrounds according to the story outline, selection of the main color tones of the backgrounds and characters, as well as determination of camera angles and drawing of character profiles based on them. Then it follows the process of animating frame by frame, according to the straight forward method, which means that the frames are drawn sequentially, from the first, through the intermediate frames, to the last frame. In the last part of the thesis all the scenes are combined into a complete animation, special effects, transitions and sounds are added to make the animation even more unique. Result of the thesis is the creation of a classic cartoon animation in it a variety of different characters appear, which were recreated through the cartoon drawings, frame by frame. Attention is on the facial features, movements, manner of movement, soundtrack, camera movement, placement of the character in the frame, colors and the entire character design of the heroes, because through these character and mood can be most accurately expressed. At the same time, it is realized that despite the fact that nowadays the animation process is much easier, the classic animation technique still takes a lot of time and requires a great deal of drawing and technical knowledge, but it enables a multitude of different results and interpretations of the given material. tradicionalna animacija risanka risana animacija razvoj in animiranje likov junaki izražanje značaja traditional animation cartoon cartoon animation character development and animation characters expression of a character true false false Slovenski jezik Angleški jezik Diplomsko delo/naloga 2023-06-14 09:00:08 2023-06-14 09:00:17 2023-06-15 03:43:14 0000-00-00 00:00:00 2023 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 90825 14148.pdf 14148.pdf 1 8B734357F7ACB8D96825CDFDA12A9E5B 5bdb73ea2ad6382ecb5e5ac19f719d9d88fc75675ed1685ec23003352d37864d c706d731-0a80-11ee-a314-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=170102 14149.mp4 14149.mp4 1 16E0AED8791FFFB7EDFC21AFDAE14794 d2d18cefaf8b29bc6cc2dfe0fae5ce554a6b3004e800d480b0f530118715d161 c7075cae-0a80-11ee-a314-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=170103 Naravoslovnotehniška fakulteta 0 0 0