20.500.12556/RUL-146361 Benjamin na blockchainu magistrsko delo Putting Benjamin on the blockchain V svojih esejih Walter Benjamin opisuje vpliv tehnoloških inovacij druge industrijske revolucije na zaznavanje in sprejemanje umetniškega dela. S tehnično reprodukcijo, to je fotografijo, filmom in gramofonom, je umetnina, katere nekdanja značilnost je bil enkratni obstoj v času in prostoru, postala množično reproducirana in splošno dostopna. Na ta način po Benjaminu izgubi svojo pristnost, zamaje se njena avtoriteta in posledično začne krneti tudi avra predmeta. V magistrski nalogi preučujem najnovejši trend digitalne umetnosti – nezamenljivi žeton, angl. non-fungible token oziroma NFT. Le-ta s pomočjo veriženja podatkovnih blokov (angl. blockchain technology) v digitalni svet popolnih kopij in neomejene reprodukcije uvaja pojem pomanjkanja. NFT je trajen, enkraten in edinstven del podatkov v verigi blokov, ki označuje neko umetnino in beleži njeno celotno zgodovino od stvaritve do zadnjega imetnika. Zdi se, da pristnost ni več omejena na »tukaj« in »zdaj« predmeta, ker tudi zgodovinska pripoved ni več omejena na »tukajšnjost« in »zdajšnjost« izvirnika. Sprašujem se, ali ima v kontekstu verige podatkovnih blokov koncept avre, kot ga je zastavil Benjamin, enako vsebino kot v času druge industrijske revolucije. V digitalnem prostoru tradicija nikoli ni bila in nikoli ne bo zasnovana v izvirni umetniški stvaritvi, se pa pojmom pristnosti, enkratnosti, kultne avtoritete in avre človeštvo vseeno ne želi odreči. In his essays, Walter Benjamin describes the impact of the technological innovations of the Second Industrial Revolution on the perception and reception of the work of art. Through technical reproduction, i.e. photography, film and the gramophone, the work of art, which was once characterised by its unique existence in time and space, has become mass reproduced and universally accessible. In this way, according to Benjamin, it loses its authenticity, its authority is shaken and, as a consequence, the aura of the object begins to deteriorate. In my MA thesis I examine the latest trend in digital art - the non-fungible token, or NFT. It introduces the notion of scarcity into the digital world of perfect copies and unlimited reproduction by means of blockchain technology. An NFT is a permanent, unique piece of data in a blockchain that identifies a piece of art and records its entire history from creation to the last owner. It seems that authenticity is no longer limited to the »here« and »now« of an object, because the historical narrative is also no longer limited to the »here« and »now« of the original. I wonder whether, in the context of the blockchain, the concept of aura, as set out by Benjamin, has the same content as it did during the Second Industrial Revolution. In the digital space, tradition has never been and never will be conceived in an original work of art, but the notions of authenticity, uniqueness, cult authority and aura are something that humanity does not want to give up. Blockchain NFT pristnost avra Walter Benjamin. Blockchain NFT authenticity aura Walter Benjamin. true true false [U. Papež] Slovenski jezik Angleški jezik Magistrsko delo/naloga 2023-05-25 08:30:01 2023-05-25 08:30:07 2023-06-15 11:19:15 0000-00-00 00:00:00 2023 0 Ljubljana 0 Ljubljana 40 str. 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 316.7:004(043.2) 149011 153683971 10785.pdf 10785.pdf 1 44A0817D4C393E9E01337E3222F89109 82a10cdb2f41d82a2f5fee24c5597413669d48e6752f1617b03872439585d84d 4e7f1bb7-fac5-11ed-a314-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=169532 Fakulteta za družbene vede 0 0 0