20.500.12556/RUL-145574 Taktilnost tkanine z zankasto površino Tactility of fabric with loop-weaved surface Namen magistrskega dela z naslovom Taktilnost tkanine z zankasto površino, je v prvi vrsti raziskati pomen dotika in njegovo mesto v svetu umetnosti. Teza, ki je raziskana v prvem delu magistrskega dela, je, da je vsa umetnost na nek način nedotakljiva in s tem opazovalcu nikoli zares ne pusti blizu, če je ta ne more doživeti z vsemi čutili. Tako je tudi v tekstilni umetnosti, ker pa je tekstil tako močan element v našem vsakdanjem življenju, se je dotiku le-tega praktično nemogoče izogniti. Eno izmed reliefno površinskih struktur tekstila je mogoče izdelati s tehniko tkanja zankaste površine. To je starodavna tradicionalna sardinska obrtna dejavnost, imenovana tehnika ''pibiones'' in je le redko ohranjena. V magistrskem delu predstavlja osrednjo tehniko, ki je bila uporabljena za ročno izdelane tkanine. V drugem delu magistrskega dela je prikazan celoten proces oblikovanja in ročnega tkanja več manjših vzorčnih tkanin, oblikovanja vzorcev in izbire preje za tkanje. Izbrane preje so bile iz naravnih in recikliranih surovin. Z združevanjem vsega naštetega so nastale tri unikatne ročno izdelane tkanine, ki poleg vizualno privlačne podobe vabijo, dopuščajo in spodbujajo dotik. The purpose of the Master's work, entitled Tactility of a fabric with a looped weaved surface, is primarily to investigate the meaning of touch and its place in the world of art. The thesis, which is explored in the first part of the master's work, is that all art is in some way untouchable and thus never really leaves the viewer close, if he cannot experience it with all his senses. This is also the case in textile art, but because textiles are such a strong element in our daily lives, it is practically impossible to avoid touching them. One of the relief surface structures of textiles can be produced using the technique of weaving a looped surface. This is an ancient traditional Sardinian craft called the "pibiones" technique, which is rarely preserved. In his master's thesis, he presents the central technique that was used to produce the final woven pieces. In the second part of the master's work, the entire process of designing and manufacturing woven pieces is shown, which included many smaller test pieces, pattern design and the selection of fibers for weaving. Fibers were selected based on natural origin or recycled material. By combining all of the above, three woven pieces were created that, in addition to a visually attractive image, invite, allow and encourage touch. dotik taktilnost površine ročno tkanje naravna vlakna tradicionalna sardinska tehnika tkanja ''pibiones'' touch surface tactility hand weaving natural fibers traditional Sardinian weaving technique "pibiones" true false false Slovenski jezik Angleški jezik Magistrsko delo/naloga 2023-04-22 09:00:45 2023-04-22 09:00:49 2023-04-23 03:33:06 0000-00-00 00:00:00 2023 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 90709 13702.pdf 13702.pdf 1 0296E764A5792C54F9C43C47DEEF5D24 0a479740cfb00c83017c10139bec1fbe5697a960291eb7c3eb68af61476ac423 3ca91875-e0db-11ed-a314-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=168489 13703.pdf 13703.pdf 1 1C0017745FE6FFFFE339FE0DA5B813DD 4c986776cfb79dbbaf0148f760f289933a223aaad13e629fc28422d9b64127da 3caa582d-e0db-11ed-a314-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=168490 Naravoslovnotehniška fakulteta 0 0 0