20.500.12556/RUL-142826 The problem of the authenticity of the aesthetic concept qiyun shengdong Xu Fuguan's analysis and interpretation Problem avtentičnosti estetskega koncepta qiyun shengdong Xu Fuguanova analiza in interpretacija The article explores Xu Fuguan’s analysis and interpretation of the concept of qiyun shengdong 氣韻生動, which is considered to be one of the most important, fundamental and complex concepts in Chinese aesthetics and art. It was created by Xie He in the Wei Jin period (220–420 AD), which is marked as a turning point in the development of Chinese aesthetics. The complexity of the concept of qiyun shengdong is reflected in literary works, painting, calligraphy, and music, as well as in literary theory and the theory of painting. According to Xu Fuguan, qi refers to the external features of the artwork, while yun expresses the internal characteristics that are a matter of the human spirit. For Xu, shengdong signifies the manifestation and fusion of qi and yun in the artwork. Xu Fuguan claimed that the profound comprehension of this concept is fundamental for understanding the essence of Chinese art. The article also addresses the problem of translating this aesthetic concept into English and discusses the problem of its authenticity. Članek proučuje Xu Fuguanovo analizo in interpretacijo koncepta qiyun shengdong 氣韻 生動, ki velja za enega najpomembnejših, najbolj temeljnih in najkompleksnejših konceptov v kitajski estetiki in umetnosti. Vzpostavil ga je Xie He v obdobju Wei Jin, ki pomeni prelomnico v razvoju kitajske estetike. Kompleksnost koncepta qiyun shengdong se odraža tako v literarnih delih, slikarstvu in glasbi kot tudi v literarni teoriji in teoriji slikarstva. Po Xu Fuguanovem mnenju se qi nanaša na zunanje lastnosti umetniškega dela, medtem ko yun izraža notranje značilnosti, ki se tičejo človeškega duha. Za Xu Fuguana shengdong pomeni manifestacijo in zlitje qija in yuna v umetniškem delu. Xu Fuguan je trdil, da je poglobljeno razumevanje tega koncepta bistvenega pomena za razumevanje bistva kitajske umetnosti. Članek obravnava tudi problem prevajanja tega estetskega koncepta v angleščino ter problem njegove pristnosti. Chinese aesthetics Xu Fuguan qiyun shengdong Xie He Indian theory of painting kitajska estetika Xu Fuguan qiyun shengdong Xie He indijska teorija slikarstva true false true Angleški jezik Slovenski jezik Članek v reviji 2022-11-29 12:44:41 2022-11-29 12:44:42 2025-05-08 11:21:31 0000-00-00 00:00:00 2021 0 0 Str. 159-180 iss. 1 Vol. 9 (25) 2021 0000-00-00 Zaloznikova Objavljeno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1(510) 2232-5131 10.4312/as.2021.9.1.159-180 46465283 polona,+Sernelj.pdf polona,+Sernelj.pdf 1 6546CCAA00F07684C5B101D2423646D5 6a56f1883b863859cf47a55fb87be37062a4ef5be8abc39bfd65425094c72cc2 773e39d0-154c-11f0-b232-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=201661 https://journals.uni-lj.si/as/article/view/9486 0 f4e9e576-2bea-11f0-b232-0050569b8976 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=210162 Filozofska fakulteta Asian studies 0 0 0