20.500.12556/RUL-142355 Formalno in neformalno naslavljanje v treh slovenskih prevodih Wildove drame Saloma Formal and Informal Forms of Address in Three Slovene Translations of Oscar Wilde’s Salomé Magistrsko delo se osredotoča na prevajanje formalnih in neformalnih oblik naslavljanja v treh slovenskih prevodih Wildove drame Saloma. Namen magistrskega dela je analizirati oblike naslavljanja v drami in ugotoviti, ali so bili prevajalci tako pri prevajanju formalnih kot neformalnih oblik naslavljanja zvesti izvirniku ali so se prilagajali ciljnemu bralcu oziroma gledalcu ter ciljni kulturi. Teoretični del obravnava dramsko prevajanje in naslavljanje, oblike naslavljanja ter dejavnike, ki vplivajo na njihovo rabo, obenem pa vključuje tudi nekaj splošnih podatkov o avtorju, izvirniku in prevodih drame Saloma. Analitični del zajema obravnavo oblik naslavljanja v Wildovi drami in vsebuje splošne podatke o ozadju nastanka prevodov drame in njenem prevajanju. Analiza slovenskih prevodov je pokazala, da dva prevajalca navadno nista ohranila Wildove rabe tikanja in vikanja ter sta se pri prevajanju teh oblik naslavljanja večinoma prilagajala ciljnemu bralcu, en prevajalec pa je bil pri prevajanju teh ogovornih oblik na splošno bolj zvest izvirniku, saj je v večini primerov ohranil tikanje in vikanje, kot se pojavita v drami. Vsi trije prevajalci pa so se pri prevajanju osebnih imen likov prilagajali ciljnemu bralcu in ciljni kulturi ter so pri prevajanju oblik naslavljanja upoštevali odnose med dramskimi liki. The master’s thesis focuses on the translation of formal and informal forms of address in three Slovene translations of Oscar Wilde’s Salomé. The aim of the thesis is to analyse the forms of address in the play and to determine whether the translators were faithful to the original or whether they adapted their translations to the target reader or audience and the target culture when translating formal and informal forms of address. The theoretical part deals with drama translation and looks at address, forms of address and factors affecting their use, and includes some general information about the author, the original, and the translations of Salomé. The analytical part includes a discussion of the forms of address in Wilde’s play and contains general background information on the creation of the play’s translations and the translation process. The analysis of the Slovene translations showed that two translators generally did not preserve Wild’s use of T-forms and V-forms and mostly adapted to the target reader when translating these forms of address. One translator, however, was generally more faithful to the original when translating these forms of address, mostly preserving T-forms and V-forms that appear in the play. All three translators, however, adapted to the target reader and the target culture when translating the personal names of the characters and took into account their personal relationships when translating the forms of address. Oscar Wilde Saloma dramsko prevajanje oblike naslavljanja sistem naslavljanja Oscar Wilde Salomé drama translation forms of address system of address true false false Slovenski jezik Angleški jezik Magistrsko delo/naloga 2022-11-02 10:40:26 2022-11-02 10:40:34 2022-11-03 13:40:03 0000-00-00 00:00:00 2022 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 516016 127923203 26577.pdf 26577.pdf 1 93F397537CBB8861F20A899FA11202FF aef2ba1626d3100ca853275aab8c39fb0e9f828fee19a808d526921374c972a1 530c1141-5a92-11ed-9c94-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=163676 Filozofska fakulteta 0 0 0