20.500.12556/RUL-141365 Film in melanholija diplomsko delo Cinema and melancholy Diplomsko delo obravnava vpliv konteksta melanholičnega filma, v katerem se oblikuje naše subjektivno zaznavanje filma. Medtem ko nam film sam po sebi ne sporoča nič resničnega, lahko iz njega izluščimo resnico, in sicer skozi naše interpretacije in ustrezno kritiko. Skozi kulturnozgodovinsko obravnavo razvoja kina in filmske podobe se navežem na sodobno filmsko umetnost, v katero nadalje vpeljem koncept melanholije, ki v umetnosti buri duhove že vsaj pol tisočletja, zanimanje zanjo pa obstaja že od antike. Jedro diplomskega dela sestavljata dve poglavji. Prvo poglavje se osredotoča na razvoj samega filmskega spektakla. Ta je nato predstavljen v podpoglavjih o razvoju kinematografa, ontologiji fotografske podobe in specifikah kina. Drugo poglavje je osredotočeno na melanholijo, pri čemer v podpoglavjih najprej predstavim koncept melanholije, njeno konstrukcijo v sodobni umetnosti in nenazadnje podam analizo konkretnih primerov filmov. The thesis deals with the influence of the context of the melancholic film, in which our subjective perception of the film is formed. While the film itself does not tell us anything true, we can extract the truth from it through our interpretations and appropriate criticism. Through the cultural-historical treatment of the development of cinema and the film image, I relate to modern film art, into which I further introduce the concept of melancholy, which has stirred spirits in art for at least half a millennium, and interest in it has existed since antiquity. The core of the thesis consists of two chapters. The first chapter focuses on the development of the film spectacle itself. This is then presented in subchapters on the development of cinematography, the ontology of the photographic image and the specifics of cinema. The second chapter is focused on melancholy, and in the sub-chapters I first present the concept of melancholy, its construction in contemporary art, and last but not least, I provide an analysis of specific examples of films. film emocije melanholija depresija Lars von Trier cinema emotions melancholy depression Lars von Trier true false false [V. Germ] Slovenski jezik Angleški jezik Diplomsko delo/naloga 2022-09-29 07:45:30 2022-09-29 07:45:47 2022-10-18 13:52:21 0000-00-00 00:00:00 2022 0 Ljubljana 0 Ljubljana 33 f. 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 316.74:[159.974:791.21] 508689 126137603 25326.pdf 25326.pdf 1 11CBCC83DBEC1BB8180F88D81CE2B134 89e49d45207f79b2e805332eaa57c82e61bc81f6d4f1d24450b38c7cbe022a6a f9f35e2a-3fb9-11ed-9c94-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=162407 Filozofska fakulteta 0 0 0