20.500.12556/RUL-141012 Samocenzura v sodobni kitajski literaturi na primeru Liu Cixinove znanstvene fantastike Self-Censorship in Contemporary Chinese Literature on the Example of Liu Cixin's Science Fiction Sledeča diplomska naloga obravnava cenzuro, samocenzuro, literarni svet in avtorjev odnos do njih v procesu pisanja. V njej raziskujem različne definicije pojma cenzure glede na obstoječe kriterije ter ovrednotim povezave med njimi. Navajam primere cenzure literature v represivnih sistemih in različne načine, kako so se avtorji soočali z njimi. Nato se osredotočam na specifike kitajske cenzure in na podlagi kitajskega literarnega in založniškega sveta navajam primere, kako se te specifike kažejo. Zatem svojo raziskavo osredotočim na žanr znanstvene fantastike kot oblike samocenzure. Raziskujem, zakaj in do kakšne razsežnosti ima znanstvena fantastika potencial družbene kritike, še posebno znotraj represivnega okolja, ter nadalje kakšen odnos ima do nje kitajska oblast, kitajski avtorji in kitajsko bralstvo oziroma trg v kontekstu cenzure. Ugotavljam, da se kitajski avtorji soočajo z veliko omejitvami in zato je zanje ključno, da znajo iskati ravnovesje med različnimi aspekti prilagajanja, ki se sklada z njihovimi cilji. Skozi analizo in interpretacijo enega najbolj znanih kitajskih znanstvenofantastičnih avtorjev, Liu Cixina, zaključujem, da kljub represiji obstajajo načini, da skozi literarno delo kvalitetno prenesemo želeno sporočilo - le-to ni vedno prikrita družbena kritika in se od avtorja do avtorja razlikuje. The following thesis examines censorship, self-censorship, the world of literature and an author's relationship to them in the process of writing. I research the different existing definitions of censorship and evaluate the connections between them and I follow with listing some examples of literature censorship in repressive regimes and different ways of how authors face them. Then, I focus on the specifics of Chinese censorship and explain them with examples from Chinese literature world and publishing world. I further take into focus the literary genre of science fiction as a means of self-censorship. I research the questions of why and to which extent science fiction has the ability of social criticism, especially in a repressive environment, as well as what is the attitude of Chinese authorities, Chinese authors and readership or market in the context of censorship. I find out that there are many difficulties the Chinese authors face and that it is crucial for them to be trying to find balance between different ways of adapting. Through analysis and interpretation of one of the Chinese most prominent science fiction authors Liu Cixin, I conclude that no matter the oppression, there still are ways to transfer one's wished message in one's literary work – but one has to be aware that this message varies from author to author, and is not necessarily a hidden social or other kind of critique. Liu Cixin znanstvena fantastika distopija cenzura samocenzura Liu Cixin science fiction dystopia censorship self-censorship true false false Slovenski jezik Angleški jezik Diplomsko delo/naloga 2022-09-22 08:15:19 2022-09-22 08:15:23 2022-09-24 03:14:16 0000-00-00 00:00:00 2022 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 507197 23940.pdf 23940.pdf 1 BEE46AF020A5115D90391EE878B8BA5B 284b4164466e6b9a46bfccd8acfaaf7ca437b770bd1f79dcb24a828068b42e6e dbfc4ed9-3a3d-11ed-92af-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=161886 Filozofska fakulteta 0 0 0