20.500.12556/RUL-139538 Deklina zgodba – družbena, seksualna in verska distopija družbena, seksualna in verska distopija The Handmaid's Tale a social, sexual and religious dystopia Diplomsko delo sprva skozi analizo literarne zvrsti utopije in nadaljnjega razvoja distopije prikaže osnovne značilnosti literarnega žanra, medtem ko s poudarkom na prvi izmed sodobnih utopij, Utopiji Thomasa Mora, oriše tudi prva utopična pisanja, ki se navezujejo na spol in družbene vloge. V ospredju diplomskega dela je obravnava znanstvenofantastičnega romana Deklina zgodba pisateljice Margaret Atwood, ki jo Ketterer, podobno kot Kumar opredeli Morovo Utopijo kot prvo pravo utopijo, označi kot prvo distopijo svoje vrste, zaradi časovnega okvira literarnega dela. Deklina zgodba pripoveduje zgodbo ženske, ki s padcem nekdanjih ZDA prisilno postane prebivalka teokratske republike Gilead in v njej prevzame družbeno vlogo konkubine, Dekle Odfrede. Gilead za vzpostavljanje, udejanjanje in ohranjanje svoje moči posega po izrazito represivnih orodjih in se polasti stroge patriarhalne družbene ureditve, ki ženskam odvzame vse pravice in si jih podredi. Kot teokratska republika svojo legitimacijo črpa iz izluščenih odlomkov Svetega pisma in zavrača vse druge religije. Za razumevanje gileadske družbe diplomsko delo opredeli in razčleni mehanizme, ki jih Gilead uporablja za udejanjanje družbene moči ter s pomočjo strokovnih del avtorjev in avtoric, kot so Althusser, Foucault, Butler in Wharton, nastavi teoretično osnovo in pojmovni okvir za analizo Dekline zgodbe in razlago osrednjih elementov romana – religiozne in spolne represije. Nadalje diplomsko delo prikaže, da je Atwoodina distopija osnovana na resničnih zgodovinskih dogodkih in praksah, kot so upad rodnosti, prepoved ženskega dela, suženjska imena, problematika homoseksualnosti, prepoved splava in kontracepcije, ugrabitev otrok in nadomestnega materinstva ter nariše vzporednice med preteklostjo in romanom Deklina zgodba. Diplomsko delo pojasni, zakaj roman predstavlja ogledalo družbi in s teoretskimi nastavki, konkretnimi primeri iz literarnega dela Deklina zgodba in zgodovinskimi dejstvi utemelji, da je Deklina zgodba zmnožek preteklih in obstoječih problemov družbe ter kritika sodobnosti. This paper demonstrates the main features of utopia through an analysis of the utopia literary genre and its further development into dystopia. It also touches upon the topic of gender and gender roles, relying heavily on the first piece of utopian writing highlighting these issues, Thomas More’s Utopia. Predominantly, the paper discusses The Handmaid’s Tale – a science-fiction novel, written by Margaret Atwood. Because of the work’s timeframe, Ketterer describes it as the first real dystopia, similarly to Kumar, who characterised Thomas More’s Utopia as the first real utopia. The Handmaid’s Tale tells the story of a woman who, with the fall of the USA, finds herself under the forcefully imposed regime of the theocratic republic of Gilead. In Gilead, she becomes a handmaid named Offred and takes on the social role of a concubine. Gilead establishes, enforces and maintains its power with oppressive means. The rigid patriarchal order leads to women of Gilead being oppressed and stripped of their rights. As a theocratic republic, Gilead strongly opposes different religions and builds its legitimacy on adaptions of paragraphs from the Bible. To understand Gilead’s society, the paper identifies and analyses the mechanisms which Gilead uses to enforce its power. The works of authors like Althusser, Foucault, Butler and Wharton are used to establish a conceptual framework for the analysis and explanation of The Handmaid’s Tale and its key elements: religious and sexual oppression. Furthermore, the paper shows that Atwood’s dystopia is written based on actual historic events and practices such as fertility decline, banning of female labour, slave names, the issue of homosexuality, ban on abortion and contraception, kidnaping of children and surrogacy. It illustrates the similarities between the past and the novel and explains why The Handmaid’s Tale is a reflection of society. Combining theoretical approaches, citations from the work and historical facts, the paper proves that The Handmaids Tale is a product of problems that society dealt with in the past, as well as the problems that society is facing now, making the novel a critique of the modern society. distopija represija družbene vloge distopična družba neenakovrednost spolov dystopia oppression gender roles dystopian society gender inequality true false false [A. Hrast] Slovenski jezik Angleški jezik Diplomsko delo/naloga 2022-09-04 07:45:02 2022-09-04 07:45:14 2022-09-26 15:11:46 0000-00-00 00:00:00 2022 0 Kranj 0 Ljubljana 52 f. 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 316.74:[304.9:791-24] 502862 122939395 19412.pdf 19412.pdf 1 CBE35FB7E200094F6BFBCF760B896161 8bbda7b70ad79ee0745ef48543696ec389b2a706eee8fbe86a978355774eb7b7 b410a6c0-2c14-11ed-92af-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=160112 19413.pdf 19413.pdf 1 04CA2C2CD4FA18E223FB0FCF87B54D4E e869838f67299a7796a38d092d1729b15ae9641fb736643083f688ad7c6689a8 b410de9d-2c14-11ed-92af-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=160113 19414.PDF 19414.PDF 1 32E01DCC4ACF5ADF824998DEBD7FB167 35d949464d2e941afaa2e1defd97c949adbff47c4feb4d778c3f2b5462ae72f2 b4122152-2c14-11ed-92af-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=160114 Filozofska fakulteta 0 0 0