20.500.12556/RUL-137228 Socialno obrobje in empatija v Cankarjevem romanu Hiša Marije Pomočnice in Hauptmannovi drami Hannele gre v nebesa diplomsko delo Social Margins and Empathy in Cankar's Novel The Ward of Mary Help of Christians and Hauptmann's Play The Ascension of Hannele Diplomsko delo obravnava Cankarjev roman Hiša Marije Pomočnice (1904) in Hauptmannovo dramo Hannele gre v nebesa (Hanneles Himmelfahrt, 1893) ter njuno upodabljanje predstavnikov socialnega obrobja z vidika pripovedne empatije, enega najnovejših pristopov raziskovanja književnosti v postklasični teoriji pripovedi. Teoretični del zajema pregled ustvarjalnega interesa obeh avtorjev za predstavnike družbenega obrobja, idejno-tematsko primerjavo obeh tekstov ter postavljanje teoretičnih okvirjev za analitični del, kar vključuje literarnovedni kontekst preučevanja empatije v zvezi s književnostjo ter predstavitev teorije pripovedne empatije. Analitični del obravnava roman in dramo z dveh vidikov, in sicer glede na analizo avtorjeve in bralčeve empatije. Avtorjev potencial za empatijo raziskujem prek avtobiografičnosti, ki je relevantna predvsem v navezavi na Cankarjev roman, teze o večji empatičnosti avtorjev in estetike produkcije, raziskovanje bralčeve empatije pa se opira na analizo pripovedne situacije (fokalizacije in pripovedovalca) v romanu ter karakterizacije v drami. In the following Bachelor’s thesis, Cankar’s novel The Ward of Mary Help of Christians (Hiša Marije Pomočnice, 1904) and Hauptmann’s play The Ascension of Hannele (Hanneles Himmelfahrt, 1893) are discussed in the context of their representation of characters from the margins of society, and researched from the aspect of the narrative empathy theory, one of the newest approaches to the research of literature in postclassical narratology. The theoretical part includes an outline of both authors’ creative interest in individuals from socially marginalised groups, as well as a comparison of both works on the basis of their key themes and ideas, followed by the presentation of the theoretical framework needed for the second part of the thesis, namely the context of previous academic approaches to the relationship between literature and empathy, as well as an overview of the theory of narrative empathy and its methodology. The analytical part of the thesis discusses the potential for the author’s and the reader’s empathy in the novel and play. The author’s potential for empathy is explored through autobiographical elements – particularly relevant in regard to Cankar’s novel –, the hypothesis of a higher level of empathy, and the aesthetics of production, while the study of readers’ empathy is based on the analysis of the narrative situation (focalisation and narrator) in the novel, and on characterisation of the protagonist in the play. Ključne besede: pripovedna empatija socialno obrobje Ivan Cankar Gerhart Hauptmann Key words: narrative empathy social margins Ivan Cankar Gerhart Hauptmann true false false [P. Golja] Slovenski jezik Angleški jezik Diplomsko delo/naloga 2022-06-08 07:45:53 2022-06-08 07:46:02 2022-09-15 04:14:49 0000-00-00 00:00:00 2022 0 Ljubljana 0 44 str. 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 497626 110897411 19015.pdf 19015.pdf 1 131B7786D2C66B861657275528694826 a733d056bb5c90db00e2d55b72106f407002c0f02197efc898a8087e94021ae8 1ec545bc-e6ee-11ec-8aca-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=157108 Filozofska fakulteta 0 0 0