20.500.12556/RUL-131730 Fenomenologija filma in literature Phenomenology of Film and Literature Diplomsko delo predstavlja fenomenološki model filmske teorije Allana Casebierja, ki skuša razviti realistično teorijo filmske reprezentacije v nasprotju z idealističnimi in nominalističnimi predpostavkami v sodobni filmski teoriji. Teorija je zgrajena na fenomenoloških konceptih Edmunda Husserla; noema, noesis, hyle kot čutno zaznavni podatki in horizont. Casebierjeva ontologija filmske reprezentacije je predstavljena skozi primerjavo z drugimi modeli filmske teorije, ki po svojih predpostavkah izhajajo iz strukturalizma in semiotike. Za razliko od teh Casebierjeva teorija transcendence temelji na karakteristiki zaznavanega objekta kot neodvisnega od mentalnega akta tistega, ki ga zaznava. V zaključku naloge Casebierjev model reprezentacije apliciram na študijski primer filma Kratke zgodbe Roberta Altmana, ki je posnet po literarni predlogi Raymonda Carverja. Pogojno model apliciram tudi na izvirno literarno predlogo in ugotavljam bistvene razlike pri fenomenološki primerjavi filmskega in literarnega medija, kot je večje bogastvo snovnih podatkov ali hyle pri filmskem mediju in drugačno delovanje horizontov v literarnem. Undergraduate thesis is presenting a phenomenological theory of film representation by Allan Casebier, who is attempting to construct a realistic epistemology of film representation, in contrast with idealistic and nominalistic undercurrents of contemporary film theory. The theory is built on phenomenological concepts of Edmund Husserl; noema, noesis, hyle as the sensible data and horizont. Casebier’s ontology of film representation is presented in comparison with other models of film theory, which are inspired by structuralism and semiotics. In contrast with them, Casebier’s theory of transcendence is based on the characteristic of the apprehended object as independent of the perceptual acts of the perceivers. In the final chapters of the thesis, I apply Casebier’s model to the case of Short Cuts by Robert Altman, a film adapted from the short stories of Raymond Carver. I also apply the model to the literary original and analyse the key differences when phenomenologically comparing the two mediums, like the greater array of sensible data or hyle in film and a different functioning of the horizont in the literary medium. film in literatura filmska teorija fenomenologija reprezentacija realizem film and literature film theory phenomenology representation realism true false false Slovenski jezik Angleški jezik Diplomsko delo/naloga 2021-10-02 07:15:23 2021-10-02 07:15:29 2022-09-10 04:13:26 0000-00-00 00:00:00 2021 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 485786 83896323 11808.pdf 11808.pdf 1 1B1BF1A9A9CBDB2B7805E4887E484CA7 ad3701d6bc07484b0a0b5f74ac71662f61b6df22841360f94f4813e66487dd1a 78fc6180-233f-11ec-a523-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=149132 Filozofska fakulteta 0 0 0