20.500.12556/RUL-131389 Včasih sramota, danes vrednota: O pojmovanju tradicije s perspektive organizatorjev vseslovenske Prangerijade Formerly a Shame, Presently a Virtue: On the Concept of Tradition from the Perspective of Organizers of the All-Slovenian Prangerijada Diplomsko delo se na podlagi analize javnega dogodka posveča razumevanju pojmovanj, ki se prireditvi bodisi s strani medijev ali organizatorjev pripisujejo. Ob tem pri proučevanju sodobne turistične prireditve v ospredje postavlja pojem tradicije, ki ga po pripovedovanju organizatorjev Prangerijade lahko razumemo kot oznako za njeno kontinuirano, neprekinjeno izvajanje. S kategorizacijo javnega dogodka kot tradicionalnega organizatorji poskušajo nakazati tudi na oblikovanje vsebinskega modela prireditve, ki je vezan na (re)prezentacijo segmentov preteklosti, zato avtor v prispevku poda kulturnozgodovinski okvir na Prangerijadi izpostavljenega dela človeške zgodovine, tj. sramotilnega kaznovanja, s katerim prepoznava preteklost kot navdih za sodobno človeško (po)ustvarjanje. Sodobno prikazovanje sramotilnih praks kaznovanja, odigrano v obliki ljudskega gledališča, je sestavni del programske zasnove javnega dogodka, ki predstavlja skupaj s srednjeveško tržnico, ki v fizičnem prostoru prevzema funkcijo turističnega trga, jedrni del programske zasnove prireditve, s katerim organizatorji upravičuje pripisovanje tradicije javnemu dogodku. Based on an analysis of a public event, the thesis sheds light on the conceptions ascribed to the event either by the media or by its organizers. In doing so and by exploring a modern tourist event, the thesis focuses on the notion of tradition, which can be understood — as maintained by the organizers of Prangerijada — as a mark of its continual, uninterrupted taking place. By categorizing a public event as a traditional one, organizers seek to hint also at the shape of the event’s content-related model, which is associated with the (re-)presentation of segments of the past. Consequently, the author provides a cultural and historical framework of that part of human history which is placed at the forefront of Prangerijada, i.e. public shaming as a form of punishment, identifying the past as an inspiration for contemporary human (re-)production. Contemporary presentation of shaming practices enacted by folk theatres is a constituent part of this public event’s programme, which — along with a medieval marketplace acting as a tourist market — forms the central part of the content-related model of the event by means of which the organizers justify attributing tradition to a public event. antropologija javnih dogodkov tradicija sramotilne kazni ljudsko gledališče turizem anthropology of public events tradition shaming as a form of punishment folk theatre tourism true false false Slovenski jezik Angleški jezik Diplomsko delo/naloga 2021-09-26 07:17:03 2021-09-26 07:17:16 2022-09-10 04:11:23 0000-00-00 00:00:00 2021 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 483922 14005.pdf 14005.pdf 1 F7B8BA893649E9280595B753B9DD8E67 ddc41aa0cb4685cd798e1587a5180a45e11a2adba3f0b6d312408634544d6016 bcae0610-1e88-11ec-a523-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=148703 Filozofska fakulteta 0 0 0