20.500.12556/RUL-131058 Senzorične zaznave v preseku umetnosti in znanosti / (ne) vidne transformacije okolja Sensory perceptions in the intersection of art and science / (in)visible transformations of the environment V nalogi se ukvarjam z vprašanjem estetskega potenciala in stopnje izraznosti posameznih senzoričnih zaznav skozi zgodovino in v sodobni umetnosti. Premike, od vizualne umetnosti in objekta k oblikovanju relaciji in izkušenj, razumem kot zrcalo sodobnih vprašanj in problemov, ki vzpostavljajo vse večjo potrebo po drugačnih, novih pristopih, med strokovnim sodelovanjem različnih znanosti in umetnosti. V praktičnem delu raziskujem razsežnosti zvoka in vibracije kot sodobnega kiparskega medija v seriji praktičnih eksperimentov in umetniške raziskave, ki služi kot osnova za nastanek serije intermedijskih instalacij (ne) vidno ter zasnovo in postavitev dveh samostojnih razstav: (ne) vidna krajina in Interferenca. Z izborom materialov in posredovanjem različnih čutnih dražljajev gradim telesno izkušnjo, ki odpira prostor za večplastno razumevanje sodobne družbeno-okoljske krize. Vzporedno s praktični delom iščem razmerje med raziskovalno eksperimentalno težnjo v procesu in realnimi pogoji dela v umetnostnem sistemu. In the thesis, I deal with the question of aesthetic potential and the degree of expressiveness of individual sensory perceptions throughout history and in contemporary art. I understand shifts, from visual art and the object to the design of relations and experiences as a reflection of modern questions and problems which are create a growing need for different, new approaches between the professional collaboration of different arts and sciences. In the empirical part, I explore the dimensions of sound and vibration as a contemporary sculptural medium in a series of practical experiments and artistic research, which serves as a basis for the creation of a series of intermedia installations, (in)visible, as well as the conception and installation of two solo exhibitions: (in) visible landscape and Interference. Through the selection of materials and the mediation of different sensory stimuli, I build a bodily experience that opens a space for a multi layered understanding of the contemporary socio-environmental crisis. In parallel with the practical work, I am looking for the relationship between the research-experimental tendency in the process and the real conditions of work in the art system. Senzorična zaznava umetnost in znanost zvok kiparstvo okolje eksperiment magistrska naloga. Sensory perception art and science sound sculpture envrionment experimet MA thesis. true false false Slovenski jezik Angleški jezik Magistrsko delo/naloga 2021-09-22 09:00:19 2021-09-22 09:00:21 2023-01-30 10:17:31 0000-00-00 00:00:00 2021 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 21196 2226.pdf 2226.pdf 1 C198AE4252E724578E0873C706B14A1F 7416461b8b6aa1c11c80f2f149a013a828591cbf803ffa0f0d749112fe4665b8 7ba097e1-1b72-11ec-a523-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=148291 Akademija za likovno umetnost in oblikovanje 0 0 0