20.500.12556/RUL-131054 Odnos med digitalno podobo in sodobnim slikarstvom The relationship between the digital image and contemporary painting Izhodišče diplomske naloge je premislek odnosa med digitalno podobo in slikarstvom, ki pogojuje vsakršno prenašanje podob med obema medijema. Pluralnost interpretacij pojma digitalno zahteva členitev raziskovanja na tehnološko in kulturno komponento, ki vzajemno pogojujeta sodobne slikarske prakse. Umeščenost le-teh v sodobno kulturno in medijsko krajino, nasičeno z nostalgičnim obujanjem preteklih form digitalne vizualnosti, predstavlja izhodišče za kritično obravnavo skozi prizmo retrofetišizma in hauntologije. Medijsko hibridizacijo in diseminacijo slikarstva ter digitalne podobe si prizadevam pojasniti skozi prizmo postmedijske teorije. Na primerih obravnavanih umetnikov Avery Singer in Juliusa Hofmanna, lastne ustvarjalne prakse, koncepta ekstenzije slikarstva in teorije postinterneta orišem tudi teren, ki leži onkraj konceptualizacij postmedijskega slikarstva. The starting point of this diploma thesis is the reflection on the relationship between the digital image and painting, which determines any transfer of image between the two mediums. The plurality of interpretations of the term digital requires the division of research into the technological and cultural component, which are mutually conditioned by contemporary painting practices. Their placement in the contemporary cultural and media landscape, saturated with nostalgic revivalism of past forms of digital visuality, represents the starting point for critical treatment through the prism of retrofetishism and hauntology. I aim to explain the media hybridization and dissemination of painting and digital image through the prism of post-media theory. Using the examples of artists Avery Singer and Julius Hofmann, my own creative practice, the concept of the extension of painting and post-internet theory, I also outline the terrain that lies beyond the conceptualizations of post-media painting. slikarstvo digitalno kodificiranost postmedijska umetnost postinternet ekstenzija slikarstva navigabilni prostor hauntologija painting digital codification postmedia art post-internet extension of painting navigable space hauntology true false false Slovenski jezik Angleški jezik Diplomsko delo/naloga 2021-09-22 09:00:07 2021-09-22 09:00:10 2022-09-10 04:09:38 0000-00-00 00:00:00 2021 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 21192 2165.pdf 2165.pdf 1 DB7D8D643B1DE055DE0908E9A8058D89 a6757783c29491dc93f576323ead0dc173021c2d9c4ec71f23ffe300b0732aff 74f658f2-1b72-11ec-a523-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=148285 Akademija za likovno umetnost in oblikovanje 0 0 0