20.500.12556/RUL-130964 Motiv nasilja v izbranih dramah Sarah Kane in Matjaža Zupančiča diplomsko delo The Motif of Violence in Selected Plays of Sarah Kane and Matjaž Zupančič Diplomska naloga analizira in primerja motive nasilja ter njihovo (etično) vlogo v dramah britanske dramatičarke Sarah Kane (Razdejani, Fedrina ljubezen, Razmadežni) in slovenskega dramatika Matjaža Zupančiča (Vladimir, Hodnik, Shocking Shopping). Na podlagi strokovne literature, O nasilju – priročnik za usposabljanje, najprej definira nasilje in poda primere njegovih številnih oblik. V nadaljevanju na kratko predstavi biografiji obravnavanih avtorjev in vsebine izbranih dram ter se osredotoči predvsem na prikazovanje konkretnih motivov nasilja, jih med seboj primerja, določi njihovo vlogo v tekstih in podrobneje razišče, ali drame vsebujejo tudi kakšno etično poanto. Ugotavlja, da je nasilje osrednji motiv dram obeh avtorjev, z njim bralce/gledalce vedno znova šokirata, da začnejo razmišljati o gledališkem izkustvu. Skozi svoje osebe predstavita lasten pogled na svet, izpostavljata družbeno problematiko ter kritizirata sistem in sodobnega človeka, ki v takem sistemu živi, pri čemer se izogibata moraliziranju ali podajanju določene ideološke rešitve in zgolj opozarjata na pomanjkanje etike v današnjem svetu. This Bachelor’s thesis analyzes and compares the motives of violence and their (ethical) role in the plays of the British playwright Sarah Kane (Razdejani, Fedrina ljubezen, Razmadežni) and the Slovenian playwright Matjaž (Vladimir, Hodnik, Shocking Shopping). Based on the professional literature, O nasilju – priročnik za usposabljanje, it first defines violence and gives examples of its many forms. Then it briefly presents the biographies of the authors and the contents of the selected plays and focuses on presenting specific motives for violence, comparing them, determining their role in the texts and exploring in detail whether the plays also contain an ethical point. The thesis finds that violence is the central motif of the dramas of both authors, and with it they shock readers/viewers over and over again with the intention of making them start thinking about the theatrical experience. Through their characters, they present their own view of the world, highlight social issues and criticize the system and modern man living in it, avoiding moralizing or giving a certain ideological solution, but only pointing out the lack of ethics in today's world. sodobna slovenska dramatika sodobna britanska dramatika literatura in etika nasilje Sarah Kane Matjaž Zupančič contemporary Slovene drama contemporary British drama literature and ethics violence Sarah Kane Matjaž Zupančič true false false [A. Cotič] Slovenski jezik Angleški jezik Diplomsko delo/naloga 2021-09-20 07:15:04 2021-09-20 07:15:13 2022-09-10 04:09:04 0000-00-00 00:00:00 2021 0 Ljubljana 0 Ljubljana 54 str. 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 821.163.6:821.111-2.09 482690 78214403 12291.pdf 12291.pdf 1 A96330DB43C5706B73D5B169EFC37AC6 5c5edddf6158e31eca2ea9a27a50b7d9fe288674feefd2fa6565982a1dbe7564 79f9ba53-19d1-11ec-a523-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=148166 Filozofska fakulteta 0 0 0