20.500.12556/RUL-130956 V vrtincu pomenov poskus semiotske analize gibalnih struktur v filmu Vrtoglavi ptič diplomsko delo In a vortex of meanings An attempt of semiotic analysis of structures of motion in film Vertigo Bird Diplomsko delo se ukvarja z analizo filma Vrtoglavi ptič Iztoka Kovača in Saše Podgorška. Prek semiotike, želimo razumeti gibalne strukture ter njihov pomen, ki pa ga moramo iskati interdisciplinarno. Avtorica film najprej postavi v prostor dogajanja, rudarsko mesto Trbovlje. Veliko plesnih scen je posnetih v rudniški infrastrukturi, kot so recimo delavske garderobe in kopalniški prostori ali bazen. Potem skuša razumeti, kaj je ples prek antropoloških pojmov in definicij, ki poudarjajo pomen kulturnih sistemov, od katerih se razlikujejo pomeni plesa v določeni družbi. Prek semiotike in teorij Barthesa o kulturnih kodih ter različnih sistemih preučevanja. Kovač je najprej ustvaril Vrtoglavega ptiča za gledališki oder, poskuša razumeti še, kaj je performans. Vse te teorije, ki jih skozi delo apliciramo na film, na koncu še direktno apliciramo z analizo celotnega filma. Pri filmu, kot je Vrtoglavi ptič je interdisciplinarni pristop pomemben pri analizi pomenov in struktur, saj z enostranskim pogledom ne bi mogli celovito in poglobljeno razumeti vsebine in vseh njenih podtonov. In this thesis we will be analysing a film by Iztok Kovač and Sašo Podgoršek titled Vertigo Bird. Through semiotics we are trying to understand structures of movement and their meaning which is to be sought in a interdisciplinary anner. The author first sets the setting of the film, which is the mining town of Trbovlje. Many of the dance scenes are filmed in mining infrastructures, e. g. workers' changing rooms, bathroom facilities or a pool. Furthermore, the author then tries to understand dance through anthropological concepts and definitions. These emphasize the meaning of cultural systems from which meanings of dance in certain cultures greatly differ. The author analyses this through semiotics and Barthes' theories of cultural codes and different approaches to analysis. Originally, Kovač created the Vertigo Bird as a theathre performance which is another aspect we are trying to understand in the analysis. The theories which are being used inn the analysis throughout this study are altterly applied to the film as a whole. An interdisciplinary approach is crucial when analyzing meaning and structures in films such as Vertigo Bird, as their content and all of its underlying messages could not be understood in depth with a unilateral view. sodobni ples ples semiotika performans kulturni kodi contemporary dance dance semiotics performans cultural codes true true false [A. Koloini] Slovenski jezik Angleški jezik Diplomsko delo/naloga 2021-09-19 08:30:11 2021-09-19 08:30:13 2022-09-10 04:09:02 0000-00-00 00:00:00 2021 0 Ljubljana 0 Ljubljana 28 str. 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 316.7:793.3(497.4)(043.2) 131123 87451907 6310.pdf 6310.pdf 1 596148122A183F18075DC270DC00333D 872874e2d3ae7f3c8d4f3262b5bdf1d969626dbf842a02a3ee3b9b3246356e1c c83338df-1912-11ec-a523-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=148157 Fakulteta za družbene vede 0 0 0