20.500.12556/RUL-130596 Konserviranje-restavriranje polihromiranega lesenega Putta iz Narodne galerije Conservation-restoration of polychromed wooden Putto from National Gallery Diplomsko delo z naslovom Konserviranje-restavriranje polihromiranega lesenega Putta iz Narodne galerije obravnava konservatorsko-restavratorski poseg na umetnini, ki je bil opravljen na konservatorsko-restavratorskem oddelku Narodne galerije. Kipec Putto je bil v celoti prekrit s plastmi prahu in večkrat preslikan, zato je bil cilj konservatorsko-restavratorskega posega izboljšati estetiko umetnine in jo predstaviti v podobi, ki bi bila bližje prvotni. Ker je bila slikovna plast kipca zelo krhka, ji je bilo treba najprej zagotoviti stabilnost in nato na varen način dokončati ostale postopke. Ti so vključevali preiskovanje originalnih plasti, utrjevanje, čiščenje, odstranjevanje sekundarnih barvnih plasti, kitanje in retuširanje. Pri sprejemanju odločitev o postopkih in materialih smo spoštovali etične principe. Materiale, nanesene v preteklosti, smo uspešno in varno odstranili. Kljub obsežnim poškodbam smo manjkajočo barvno plast uspešno dopolnili z retušo. S postopkom je kipec Putto estetsko precej pridobil ter dosegel stanje, ki omogoča varno hranjenje in razstavljanje. The BA thesis titled Conservation-Restoration of Polychromed Wooden Sculpture Putto from the National Gallery of Slovenia deals with the conservation-restoration treatment performed at the Conservation-restoration department of the National Gallery of Slovenia. The statue of Putto was completely covered with layers of dust and it was overpainted several times, so the aim of the conservation-restoration treatment was to improve the aesthetics of the artwork and to present it in the condition closest to the original. After investigating the original paint layers, we first stabilized the very fragile paint layer so that the following steps could be completed safely. We consolidated, cleaned, removed secondary paint layers, filled the missing gesso ground and retouched it. When making decisions on each procedure and materials, we followed ethical principles. We successfully removed materials applied to the surface in the past. Despite extensive damage, we successfully retouched the missing paint layer. We achieved the goals of the conservation-restoration treatment, improved the artwork aesthetics and established a condition that allows safe storage and display. konservatorstvo-restavratorstvo lesena plastika utrjevanje čiščenje odstranjevanje preslikav kitanje polikromacija retuša diplomsko delo conservation-restoration wooden sculpture cpnsplidation cleanind overpaint removal filling polychromy retouching BA thesis true false false Slovenski jezik Angleški jezik Diplomsko delo/naloga 2021-09-16 09:00:27 2021-09-16 09:00:28 2022-09-09 04:17:12 0000-00-00 00:00:00 2021 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 20748 1919.pdf 1919.pdf 1 E431A5A73AF5008C88FC36D983C26E1E 0d6e71241c94f3786faf5bc152acc003c3841fe545a1763694489bc44e066491 849a087a-16bb-11ec-a523-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=147733 Akademija za likovno umetnost in oblikovanje 0 0 0