20.500.12556/RUL-129806 »MINIMUM POMNJENJA« »A MINIMUM OF MEMORY« Diplomsko delo je pogled na lastno slikarsko prakso kot obliko zapisovanja videnega, doživetega. Slika je nosilec, prek katerega subjekt doseže svojo potrditev, daje občutek, da je ta afirmacija shranjena, arhivirana in na varnem. Težnjo po inkarnaciji minimuma pomnjenja, ki ga v svojih delih omenja Samuel Beckett, obravnavam z zavestjo o elementu absurdnosti, ki jo spremlja. V diplomskem delu interpretiram vlogo fotografije kot referenčnega gradiva, podlage za sliko. Slikarska dela so razložena kot zaznamki, upodobitve trenutka zaznave in analiza le-tega prek vpogledov v doživljanje časa in spomina. This paper offers an insight into painting practice as a form of recording what was seen and experienced. A painting is a carrier through which a subject achieves confirmation and is made believe that this affirmation is stored, archived and safe. I study the aspiration for the incarnation of the minimum of memory, mentioned by Samuel Beckett in his works, with the accompanying element of absurdity in mind. In this paper, I interpret the role of a photograph as reference material, as a basis for paintings. Paintings are explained as markers, as depictions of the moment of perception and its analysis through insights into the perception of time and memory. slikarstvo časovnost spomin absurd fotografija diplomska naloga painting duration memory the absurd photography BA thesis true false false Slovenski jezik Angleški jezik Diplomsko delo/naloga 2021-09-08 09:00:02 2021-09-08 09:00:03 2022-09-09 04:13:21 0000-00-00 00:00:00 2021 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 20585 1956.pdf 1956.pdf 1 1319B89F9796BCEE99A6A94E40642C12 2272fab8b236b0c609fb62f3e3e96d46020dd695c8089170da0bceed4d263399 280563b2-1072-11ec-a523-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=146838 Akademija za likovno umetnost in oblikovanje 0 0 0