20.500.12556/RUL-128345 Post-rasna laž in film: Semiotična analiza filma Get Out semiotična analiza filma Get Out Post-racial lie and film: Semiotic analysis of the film Get Out diplomsko delo Diplomsko delo temelji na semiotični analizi filma Get Out (2017) izpod režiserske taktirke Jordana Peeleja. S semiotično analizo in s pomočjo sekundarnih virov sem raziskala, kako Jordan Peele v filmu Get Out prikaže obstanek fizičnih in psiholoških ran suženjstva v Združenih državah Amerike po Obamovem mandatu. Glavni namen naloge je orisati realnost, ki jo v ZDA doživljajo temnopolti v obdobju barvno slepega rasizma in “post-rasne” laži, ko so belci in črnci enakovredni le navidezno. V teoretskem delu se osredotočam na teorije semiotike, filmskega jezika in reprezentacije temnopoltih v žanru grozljivke. Sledijo ikonografija analiziranega filma in semiotična analiza elementov mizanscene in motivov filma ter podrobnejša analiza stereotipa črnega jelena. Nadaljujem s subverzijo žanra grozljivke v filmu Get Out ter analizo motivov likov zadnjega dekleta in temnopoltega moškega, ki umre prvi. V zadnjem poglavju si pogledamo, kako film odseva podobo sodobnih ZDA po Obamovem mandatu ter si podrobneje ogledamo pojme, kot so post-rasno obdobje, barvno-slepi rasizem in policijsko nasilje. The thesis is based on a semiotic analysis of the film Get Out (2017) directed by Jordan Peele. Through semiotic analysis and with the help of secondary sources, I explored how Jordan Peele depicts the survival of the physical and psychological wounds of slavery in the United States after Obama’s mandate. The main purpose of the thesis is to outline the reality experienced by black people in the United States in a period of color-blind racism and “post-racial” lie in which whites and blacks are only seemingly equal. In the theoretical part, I focus on the theories of semiotics, film language, and the representation of black people in the horror genre. The iconography of the analyzed film and the semiotic analysis of mise-en-scène elements and film motifs, as well as a more detailed analysis of the black buck stereotype, follow. I continue with a subversion of the horror genre in the film Get Out and an analysis of the motifs of the characters of the last girl and the black man who dies first. In the final chapter, we look at how the film reflects the image of the modern USA after Obama’s mandate and learn more about concepts of the post-racial era, color-blind racism, and police violence. Get Out Jordan Peele post-rasno obdobje barvno-slepi rasizem zadnje dekle črni moški ki umre prvi subverzija žanra črni jelen ZDA po Obamovem mandatu sužnjelastništvo policijsko nasilje Get Out Jordan Peele post-racial era color-blind racism last girl black guy dies first subversion of the genre black buck the USA after Obama's mandate slavery police violence true true false [M. Brecelj] Slovenski jezik Angleški jezik Diplomsko delo/naloga 2021-07-09 08:30:33 2021-07-09 08:30:36 2022-09-07 04:14:35 0000-00-00 00:00:00 2021 0 Ljubljana 0 Ljubljana 46 str. 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 791.2:323.14(73)(043.2) 126447 77707011 4741.pdf 4741.pdf 1 4F00C6069B659999DC6C7BA460C7A30E 2aed49247c53baba5242cbdeba2915f9d67e1fd960e6b83743d851d0e613be70 087bb66f-e07f-11eb-a523-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=145057 Fakulteta za družbene vede 0 0 0