20.500.12556/RUL-127628 Estetska prezentacija slike Marija dobrega srca Antona Cebeja iz Frančiškanskega samostana v Kamniku Esthetic presentation of Anton Cebej's painting Mary of the Good Heart from Franciscan Monastery in Kamnik Diplomska naloga obravnava konserviranje in restavriranje poznobaročne slike Marija dobrega srca, slikarja Antona Cebeja iz Frančiškanskega samostana v Kamniku. Slika se trenutno nahaja v Narodni galeriji v Ljubljani v konservatorsko-restavratorski obravnavi, saj bo uvrščena na razstavo. V tem delu bom opisala konservatorsko-restavratorske postopke, ki sem jih izvedla. V začetnem delu se ukvarjam s splošnimi aspekti časa nastanka dela v luči zgodovinskih in teoloških okoliščin. Opisana je ikonografija slike na platnu. Pred realizacijo celovitega konservatorsko-restavratorskega posega se ukvarjam z razvojem estetike v stroki in razglabljanji strokovnjakov, povezanih s pristopom h konserviranju-restavriranju umetniških del. Konkretizacija teme je izpeljana v četrtem segmentu, ki se nanaša na klasičen konservatorski pristop, s poudarkom na izvedenih postopkih. Nadaljni potek del je predstavljen ob diagnostiki stanja pred posegom in realizaciji vseh sedanjih intervencij na sliki Marija dobrega srca. Na sliki so tudi v preteklosti opravljeni konservatorsko-restavratorski posegi, stanje starih retuš je bilo slabo. Doprinos k izgledu in dojemanju umetnine pomeni predvsem izvedba barvnega dopolnjevanja z novejšimi pristopi ob uporabi barv Gamblin. The graduation thesis is about the conservation and restoration of the late Baroque painting Marija dobrega srca by the painter Anton Cebej from the Franciscan Friary in Kamnik. The painting is currently located at the National Gallery in Ljubljana due to restoration before an announced exhibition. In this paper I shall describe the treatments of conservation and restoration which I have performed on the painting Marija dobrega srca. In the first part of the thesis I shall deal with the general characteristics of the time the painting originates from through historical and theological aspects. The iconography of the painting on canvas is described. Before the realization of the conservational-restorative intervention I shall tackle aesthetic development within the field and the debates of experts on the approach to conservation and restoration of works of art. Concretization is achieved in the fourth segment which refers to the classical conservational approach with an emphasis on reports on the treatments. Further treatments will be thoroughly described with diagnosing the original state and the realization of all of my interventions performed on the painting Marija dobrega srca. Konservatorstvo-restavratorstvo Slika na platnu Poznobaročno slikarstvo Retuša Estetska reintegracija Lak Diplomska naloga Conservation-restoration Canvas painting Late Baroque painting Retouching Aestethic reintegration Varnish BA thesis true false false Slovenski jezik Angleški jezik Diplomsko delo/naloga 2021-06-17 09:00:02 2021-06-17 09:00:09 2022-09-06 03:52:19 0000-00-00 00:00:00 2021 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 19819 1684.pdf 1684.pdf 1 D2B40F32C0A299CBE8A1BF697A94C873 ff11238f8032966889ffbf0bc2406c86514a733b537c92e39102e25a58fce31c 90414b84-cf39-11eb-a523-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=144096 Akademija za likovno umetnost in oblikovanje 0 0 0