20.500.12556/RUL-125997 Kako je gotika prevzela Frankensteina How the Gothic Took Over Frankenstein Magistrsko delo obravnava gotske elemente dela Frankenstein pisateljice Mary Shelley in kako so bili adaptirani v filmski obliki. Bistvo dela so analize filmskih priredb knjige, da bi ugotovili, ali so bili gotski elementi poudarjeni ali dodani prvotni zgodbi. Specifični filmi, ki sem jih izbrala za analize, so: Frankenstein Jamesa Searleja Dawleyja (1910), Frankenstein Jamesa Whalea (1931), The Curse of Frankenstein Terencea Fisherja (1957), Frankenstein: The True Story Jacka Smighta (1973) in Mary Shelley's Frankenstein Kennetha Branagha (1994). Magistrsko delo obravnava tudi gotski žanr v literaturi v primerjavi z gotskimi filmi in kako razlike med mediji vplivajo na adaptacije. Namen je ugotoviti, ali Shelleyjino delo sčasoma postaja bolj gotsko v kinu ter če so ostali elementi zgodbe, kot so tisti iz znanstvene fantastike, pozabljeni. Teme morale, okultizma, veličastne narave in uporabe učinka nenavadne doline (uncanny valley effect) so prav tako analizirane, saj so pomembne v Shelleyjinem romanu. Za izčrpen pregled filmov delo najprej analizira dva glavna junaka: Victorja Frankensteina in njegovo Pošast. Za temeljitejše preiskave je v tem delu uporabljena knjiga Theory of Adaptation (Teorija priredb) Linde Hutcheon ter drugi eseji in teoretska dela, ki temeljijo na Frankensteinu, na primer Narcissism as Symptom and Structure: The Case of Mary Shelley’s Frankenstein (Narcisizem kot simptom in struktura: primer Mary Shellyjinega Frankensteina) Josepha Kestnerja. This Master’s thesis looks into the Gothic elements of Mary Shelley’s Frankenstein and how they have been adapted into film form. The essence of the thesis lies in the examinations of the adaptations in order to find out whether or not the Gothic elements were amplified from or added to the original story. The specific films I have chosen for the analyses are: James Searle Dawley’s Frankenstein (1910), James Whale’s Frankenstein (1931), Terence Fisher’s The Curse of Frankenstein (1957), Jack Smight’s Frankenstein: The True Story (1973) and Kenneth Branagh’s Mary Shelley’s Frankenstein (1994). This thesis also looks into the Gothic genre in literature versus the genre in film and considers how differences in mediums affect the adaptations. The purpose is to see whether Shelley’s work is growing more Gothic over time in cinema and if other elements, such as science fiction ones, were left behind. The themes of morality, the occult, sublime nature and the use of the “uncanny valley” effect are also looked into as they are important in Shelley’s novel. For the purpose of analysing the films, the thesis first analyses the two main characters: Victor Frankenstein and the Monster. For more thorough examinations, this paper uses The Theory of Adaptation by Linda Hutcheon as well as other essays and theory works based on Frankenstein, such as Joseph Kestner’s Narcissism as Symptom and Structure: The Case of Mary Shelley’s Frankenstein. Frankenstein Mary Shelley Gotika Gotski film priredba Frankenstein Mary Shelley Gothic Gothic film Adaptation true false false Slovenski jezik Angleški jezik Magistrsko delo/naloga 2021-04-11 07:45:02 2021-04-11 07:45:11 2022-09-05 03:53:31 0000-00-00 00:00:00 2021 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 472107 8823.pdf 8823.pdf 1 B339BDB01F55801B09F56D196E1A8795 d557eec30237d262308f76ca9270908512e8b78363859ff0f1caf738202997fe d4723e5c-a1bb-11eb-a523-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=141870 Filozofska fakulteta 0 0 0