20.500.12556/RUL-121939 O perspektivi / Anahronizem slikarstva On perspective / Anachronism of painting Izum linearne perspektive v quattrocentu je več kot zgolj slikarski dogodek. Slikarska tehnika reprezentacije arhitekturnega prostora ni le na novo izurila človeško oko, ki je pojave v svetu uvidelo za perspektivične probleme, pač pa je pokazala na njegovo nezadostnost in anahroničnost. Zgodovina perspektive je zgodovina serije vdorov nečesa, kar ni po meri človeka. Zato korenito preoblikuje ne le njegovo vizualnost, pač pa tudi pojmovanje sebe in dojemanje zunanjega sveta. Vprašanje perspektive ni vprašanje realizma, njen resnični doprinos je poseg koda, ki začne strukturirati vsa področja človeškega delovanja. Njegovemu vplivu sledimo preko razvoja nove koncepcije prostora, naknadnega razvoja moderne znanosti in postopnega avtomatiziranja in osamosvajanja (perspektivičnih) strojev. Invention of linear perspective in quattrocento is more than just an artistic event. Painter’s technique of representation of architectural space not only re-trained human eye in a way that it saw world’s phenomena as specific perspectival problem, but it also showed that the human eye is obsolete and anachronistic. The history of perspective is constituted of a series of intrusions that are not made to fit human domain. Therefore it radically transforms not only man’s visuality but also its perception of itself and of the outside world. The question of perspective is not a question of realism, its real contribution is inauguration of a certain code that begins to structure all areas of human’s activity. In this thesis we follow its influence through the development of a new concept of space, subsequent initiation of modern science, and gradual formation of fully autonomous and independent (perspectival) machines. slikarstvo perspektiva linearna perspektiva obrnjena perspektiva perspektivični stroj perspektivični kod perspectiva artificialis renesančna umetnost moderna znanost magistrska naloga painting perspective linear perspective reverse perspective perspective machine perspective rule perspectiva artificialis Renaissance art modern science MA thesis true false false Slovenski jezik Angleški jezik Magistrsko delo/naloga 2020-11-10 09:00:49 2020-11-10 09:00:52 2022-09-02 04:01:44 0000-00-00 00:00:00 2020 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 19285 1553.pdf 1553.pdf 1 AB486BD288E16BE66F47CF9C82D808A0 2b1e971ded9f802ee87213abcb5ede0308425ac8314ba3d26dd05ae786e2288c 04a4272e-a1bb-11eb-a523-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=137037 Akademija za likovno umetnost in oblikovanje 0 0 0