20.500.12556/RUL-119947 Od mladinske subkulture do dominantne kulture mladih: rave kot študija primera rave kot študija primera From a youth subculture to a dominant youth culture: rave as a case study diplomsko delo Subkulture so vedno obstajale v nekem razmerju do dominantne kulture v družbi. Družba je kompleksen fenomen, v katerem vloge ne igra zgolj ena univerzalna ideologija, temveč več ideologij, ki so posledica več socialnih skupin, ki družbo sestavljajo. Določene skupine imajo na formacijo družbenega sveta večji vpliv, druge skupine, kot so subkulture, pa dominantnim predstavljajo grožnjo, saj simbolno izzivajo dominantno ideologijo. Zaradi tega se dominantna kultura bori proti subkulturam na več načinov, kot sta blagovna in ideološka oblika rekuperacije. Kot model ene izmed subkultur, ki je bila bitko z dominantno ideologijo, lahko vzamemo rave – prototipno postmodernistično subkulturo mladih 21. stoletja. Na vrhuncu je bila v 80-ih letih, nato pa je sčasoma postala del dominantne kulture mladih, tudi kot posledica napadov dominantne kulture na eni strani ter ekonomskih sil trga na drugi. Subcultures have always existed within a certain relation to dominant cultures in society. Society is a complex phenomenon which is not influenced by a single universal ideology, but rather by more ideologies as a consequence of many social groups that compose it. Certain groups have a bigger impact on the formation of the social world, while others, such as subcultures, present a threat to dominant cultures, because they challenge dominant ideology on a symbolic level. Hence, the dominant culture fights against subcultures in several ways, such as the commodity and ideological forms of recuperation. Rave, a prototypical twenty-first century, postmodern, millenium youth subculture, can be taken as a model of a subculture that fought a battle with dominant ideology. It was at its peak in the eighties and then it slowly became a part of the dominant youth culture, also due to falling victim to systematic attacks by dominant culture on the one hand and economic pressures of the market on the other. Subkulture dominantne kulture rave komercializacija. Subcultures dominant cultures rave commercialization. true true false [R. Živko] Slovenski jezik Angleški jezik Diplomsko delo/naloga 2020-09-13 08:30:41 2020-09-13 08:30:46 2022-09-01 03:56:39 0000-00-00 00:00:00 2020 0 Ljubljana 0 Ljubljana 34 str. 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 316.723(043.2) 120366 30429443 3718.pdf 3718.pdf 1 58715DE6B1BE87970C15E0EEBBCD2731 294a83a01345c963eadb38cb382344db6fe580d2c94d0bff7cff9b2441cc677d f61572c6-a1b9-11eb-a523-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=134692 Fakulteta za družbene vede 0 0 0