20.500.12556/RUL-112979 Dokumentarni film V iskanju srečnega konca / Dokumentarni film V iskanju srečnega konca In search of a happy ending Documentary / In search of a happy ending Documentary Dokumentarni film V iskanju srečnega konca je socialno-umetniški projekt, osnovan na prijateljstvu. Louis Giannetti v svojem delu Razumeti film piše o zgodbi kot o besedi tisočih pomenov; za producenta je zgodba lastnina, nekaj, kar ima tržno vrednost, za scenarista pisanje scenarija, za režiserja umetniški medij, za igralca sredstvo. Toda zgodba za glavni lik dokumentarnega filma je v tem primeru njegovo življenje. In upravljanje s tako zgodbo – torej z življenjem živečega – je težek izziv za režiserja. Kako jo prikazati? Koliko sploh prikazati? Kje (ne)intervenirati? Kot režiserki mi je bilo pomembno, da zgodbo glavnega lika umestim v družbeni kontekst današnjega časa. Delo z nematerialnim oziroma z živo materijo je bilo razgibano in nepredvidljivo; ravno nepredvidljivost, dvorezen meč dokumentarnega filma, na koncu da tisto dodano vrednost, ki jo išče vsak režiser, ki se materializira v protagonista, režiserja in gledalca in ki vse tri na koncu postavi na skupno raven. Kot avtorici projekta upam, da mi je to uspelo. Documentary film In search of a happy ending is a socially engaged art project based on friendship. In his work Understanding Movies, Louis Giannetti writes that story is a word of a thousand meanings; to the producer story is property, or better, something that has commercial value, to the screenwriter a script, to the director an art medium, and to the actor an asset. But in this case, the story behind the main character of the documentary is his life. And directing such a story - the life of a living person - is a difficult challenge for the director. How to present it? How much should you show? Where to (not) intervene? It was important to me as the director to stay current in the social context. Working with living matter was dynamic and unpredictable; this unpredictability, the two-edged sword of the documentary film, ultimately contributes to the added value that every director seeks and which materializes in the protagonist's, director's and viewer's emotions which puts all three of them on the same level. As the author of the project, I hope that I succeeded in evoking these emotions. slikarstvo dokumentarni fim zgodba projekt avtor čustvo intervencija magistrska naloga painting documentary film story project author emotion intervention MA thesis true false false Slovenski jezik Angleški jezik Magistrsko delo/naloga 2019-11-27 08:35:03 2019-11-27 08:35:06 2022-08-25 03:52:08 0000-00-00 00:00:00 2019 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 16604 1242.pdf 1242.pdf 1 83FB38E2CFC980B7D135FDDFD18C52F3 45ba8282d58bde172e896f4955a056df2de8b60bc1a93542e21da386749fc134 ff6f613a-a1b7-11eb-a523-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=124929 Akademija za likovno umetnost in oblikovanje 0 0 0