20.500.12556/RUL-111958 Med filmom, feminizmom in religijo: interpretacija ženskih zgodb na primeru treh ganskih filmskih ustvarjalk Between film, feminism and religion: interpretation of women’s stories by three Ghanaian female filmmakers Pričujoče delo obravnava življenje in delo treh ganskih filmskih ustvarjalk. Skozi njihove življenjske zgodbe lahko potegnemo vzporednice različnih odnosov do feminizma in religije, ki so vpeti v njihova življenja in prikazujejo, kako se slednja odražajo v njihovih delih. V prvem delu na kratko predstavim razvoj filma v Gani, vzpon video filma in njegovih posledic na vključitev žensk v gansko filmsko industrijo. Sledi oris zgodovine feminizma v Gani znotraj širših afriških feminističnih teorij ter se naveže na njegovo pomembnost v kontekstu ženskih filmskih ustvarjalk. V drugem delu so zbrani in interpretirani etnografski opisi in filmske prakse izbranih treh režiserk, osredotočeni na pomen aktivizma, tehnologije in religije ter krščanskega feminizma, ki pri vsaki posebaj najbolje odražajo njihova življenja in motivacijo za filmsko ustvarjanje. V zadnjem poglavju se njihove zgodbe med seboj povežejo in skušajo dodatno osvetlili problematike njihove spolno-marginalizirane pozicije v lokalnih filmskih prostorih. This work deals with the life and work of three Ghanaian women filmmakers. Their life stories help us draw parallels to the different attitudes toward feminism and religion, that are embedded in their lives and show how the latter are reflected in their works. The first part briefly presents the evolution of film in Ghana, the rise of video film and its implications for the inclusion of women in the Ghanaian film industry. The following is the outline of the history of feminism in Ghana, within the broader African feminist theories, where it addresses its importance in the context of female filmmakers. The second part gathers and interprets the ethnographic descriptions and film practices of the selected three directors, focused on the themes of activism, technology and religion, and Christian feminism, which in each case best reflect their lives and motivations for filmmaking. In the last chapter, their stories converge and try to shed more light on the issues of their gender-marginalized position in local film spaces. Film Gana feminizem religija ženske. Film Ghana feminism religion women. true false false Slovenski jezik Angleški jezik Diplomsko delo/naloga 2019-10-17 08:50:00 2019-10-17 08:50:01 2022-08-24 03:48:08 0000-00-00 00:00:00 2019 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 446836 3764.pdf 3764.pdf 1 6860ABBFD3A2C36B7159E9DC16320189 58e78411fc297669a857df4756014458b690806885f17ed3faf20cf4ec90c831 8281783d-a1b7-11eb-a523-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=123858 Filozofska fakulteta 0 0 0