20.500.12556/RUL-111675 Pripovedna morfologija Vladimirja Proppa v Čarovniku iz Oza Vladimir Propp's Narrative Morphology in The Wizard of Oz V magistrskem delu predstavljam primerjalno analizo Čarovnika iz Oza L. Franka Bauma in Čarovnika iz Oza, filmske priredbe iz leta 1939, z vidika formalistične teorije, ki izhaja iz pripovedne morfologije, ki jo je razvil Vladimir Propp. Predstavim Proppovo teorijo in pojasnim elemente teorije, ki jih uporabim za analizo knjige in filma. To je sedem pravljičnih likov, funkcije likov, ki po Proppu sestavljajo zgodbe, ter linije, ki nastanejo, ko se funkcije znotraj zgodbe med seboj povežejo in tvorijo ali zgodbo z eno linijo ali zgodbo z več linijami. Najprej analiziram književno delo skozi funkcije likov, da ugotovim katere in koliko funkcij se pojavi v knjigi, v koliko linij znotraj pravljice se povezujejo te funkcije in kateri liki jih izpolnjujejo. Predlagam, da sta v knjigi in filmu dva antagonista in potem obravnavam, kateri od njiju se pojavi v vlogi Proppovega škodljivca v delu filmske analize. Določim obseg analize filmske priredbe in jo nato primerjalno analiziram skozi Proppovo teorijo. Primerjam morfološko zgradbo knjige in filma in diskutiram razlike v zgradbi, ki so nastale med prirejanjem knjige v film. In this thesis, I provide a comparative analysis of L. Frank Baum’s The Wonderful Wizard of Oz and the 1939 film adaptation The Wizard of Oz from the perspective of the formalist theory of narrative morphology proposed by Vladimir Propp. I provide a brief background on Propp’s theory, mainly the functions of the dramatis personae he proposes construct tales, the seven character types he determines, and the series of functions he terms “moves,” which connect within a tale, forming either a single-move tale or a multiple-move tale. I use these elements of his theory to analyse both the novel and the film. I first analyse The Wonderful Wizard of Oz in terms of Propp’s functions of the dramatis personae to determine which and how many occur in the novel; I also look into how many moves they connect within the fairy tale, and which dramatis personae or character roles perform these functions. I propose there are two antagonists in both versions of the tale and then discuss which of them assumes the role of the villain in part of the film analysis. I determine the scope of analysis in The Wizard of Oz and then comparatively analyse the film through Propp’s theory. I compare the morphological structure of both the novel and the film and discuss the differences in structure that occurred due to the adaptation of the novel into a film. strukturalizem primerjalna analiza pravljica priredba funkcija morfologija Vladimir Propp Čarovnik iz Oza L. Frank Baum structuralism comparative analysis adaptation fairy tale function morphology Vladimir Propp The Wizard of Oz L. Frank Baum true false false Slovenski jezik Angleški jezik Magistrsko delo/naloga 2019-10-08 07:45:18 2019-10-08 07:45:21 2022-08-23 03:44:36 0000-00-00 00:00:00 2019 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 446336 3072.pdf 3072.pdf 1 E78EEFA731A14209DB3D329EF1788705 d8593a460200c9d3f60a2b90b9cbe4a81494d18f8e8ebcf1ad2e920ddfc26ee2 73f9e6a7-a1b7-11eb-a523-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=123573 Filozofska fakulteta 0 0 0