20.500.12556/RUL-110656 Portreti sodobnikov Portraits of Contemporaries V sodobnem času smo obkroženi z mediji, prejemamo ogromno informacij in nešteto podob, ki jih ves čas soustvarjamo. Portret kot podoba posameznika daje veliko manevrskega prostora za raziskovanje, zato sem v okviru svojega zaključnega dela portretirala sodobnike, ki jih dobro poznam. Odkrivanja so se začela s triado gledalec-upodobljenec-umetnik, zanimanjem za material (recikliranje in eksperimentiranje) in vidno zaznavo. Navdušili so me principi, ki jih je Gabrijel Stupica opazoval že pri Georgesu Braquu in Pablu Picassu. V ustvarjanju izvirnih ali sposojenih podob si zanimanja delim s Sigmarjem Polkejem, pri čemer razmišljam o različnih obrazih slike. V svojem slikarstvu sem dosegla dva preloma, povezana z zamenjavo ateljejev in novo pridobljenimi izkušnjami. "Prečrkovanja", kakor sem poimenovala svoje slike – zapise, podobno kot tudi prevzete podobe in uporaba objet trouvé v sliki nosijo realno komponento, kjer je več možnih razrešitev. Pomemben del ustvarjanja predstavljajo odtisi, prenosi in transformacije, ki vzpostavijo polje za vznik slikarskega zapisa. Nowadays, we are surrounded with the media, a mass of information and numerous images, all of which we all create jointly. Portrait as an image of an individual arises once more as a motif worth exsploring. In my final work, I have portrayed my closest contemporaries. Discoveries were made through a triad: the viewer, the person portrayed and the artist, an interest in material (recycling and experimentations) and visual perception. I was fascinated by the principles that Gabriel Stupica observed in the works of Georges Braque and Pablo Picasso. I share my interests with Sigmar Polke in the exploration of different faces of paintings, especially when using original or borrowed images. Two major turning points so far were signaled by my switching of the atelier and my newly acquired experiences. "Spellings", as I have named my images – writings, as well as the images taken and the use of objet trouvé in an image, carry a realistic component where multiple solutions are possible. In art creation, imprints, transfers and transformations, open an important field where painting events originate. slikarstvo portret sodobniki transformacije vidno informacijska družba diplomska naloga painting portrait contemporaries transformations visual information society BA thesis true false false Slovenski jezik Angleški jezik Diplomsko delo/naloga 2019-09-18 08:35:03 2019-09-18 08:35:05 2022-08-22 03:45:07 0000-00-00 00:00:00 2019 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 15530 1054.pdf 1054.pdf 1 D4C14C8F0DAE84B8688F4C73C5B46EDC cf215695377a91afb368ce67617832133676fb73f7473a4e014603c2f5da46a6 2b7a36ac-a1b7-11eb-a523-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=122331 Akademija za likovno umetnost in oblikovanje 0 0 0