20.500.12556/RUL-110560 Uvod v filmsko faktografijo / Cikel portretov starostnikov s področja slovenskega podeželja An introduction to film factography / A Cycle of elderly portraits from the Slovene countryside Izhodišče magistrske naloge je predstavitev temeljnih kategorij filmskega medija in njegovega odnosa do dejanskosti. Kot celota besedilo predstavlja ekspozicijo osnovnih konceptov za razumevanje formalnega odnosa med realnostjo in njeno filmsko upodobitvijo v kontekstu sodobnih dokumentarističnih strategij. Z osredotočanjem na problem faktografije kot metode in dejstva kot predmeta bomo skušali vzpostaviti pogoje za metodološko prolegomeno, ki bi lahko vzpostavila ustrezno filmsko teoretsko metodiko. Pri tem se bomo v raziskavi izogibali postavljanju vsebinskega prispevka in skušali zgolj orisati minimalne kategorije avdio-vizualnega dispozitiva. Namesto vsebinske analize izraznih sredstev filmskega jezika bomo z redukcijo medija na njegova temeljna formalna določila in z metafilmološko analizo temeljnega pojmovnega aparata poskušali nakazati splošen formalni okvir za operativen filmološki model. Skupaj poglavja predstavljajo faktografski pristop k razumevanju filmskega zapisa in medijskega funkcioniranja v kinematografskem dispozitivu. The starting point of the Master's thesis is a presentation of the fundamental categories of the film medium and it's relation to actuality. As a whole, the text presents an exposition of the basic concepts for understanding the formal relationship between reality and it's film image in the context of contemporary documentary strategies. By focusing on the problem of factography as a method and fact as an object we will try to establish the conditions for a methodological prolegomena that would be able to bring about an acceptable film theoretic model. By doing this we will try to avoid positing a content heavy contribution and aim to simply recount the minimal categories of the audio-visual dispositif. Instead of a content-based analysis of the expression capacities of the film language, we will reduce the medium to its fundamental formal characteristics and give a metafilmologic analysis of the basic conceptual apparatus, trying to set out a general formal framework for an operative filmologic model. The chapters combined give a factographic approach to understanding the nature of film representation and it's functioning as a medium. Slikarstvo novi mediji video film fakt faktura faktografija fikcija forma magistrska naloga Painting new media video film fact facture factography fiction form master thesis true false false Slovenski jezik Angleški jezik Magistrsko delo/naloga 2019-09-17 08:35:30 2019-09-17 08:35:34 2022-08-22 03:44:31 0000-00-00 00:00:00 2019 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 15460 1203.pdf 1203.pdf 1 1A3F422C9C2B68F904051033E5622532 cd511086f719a961cd568187d5660428d1ac206d4c0fb5e6d8950b3456e3cef6 25b20a8e-a1b7-11eb-a523-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=122230 Akademija za likovno umetnost in oblikovanje 0 0 0