20.500.12556/RUL-110558 Prehod iz votline: na Platonovi sledi / Peščeni prehod Transition out of the cave: on the track of Plato / Sandy transition V teoretičnem delu raziskujem tranzicijski čas, v katerem se je znašla današnja družba in posameznik. Začnem s Platonovo prispodobo o votlini, ki jo najprej postavim v kontekst filozofije, umetnosti in znanosti, nato pa analiziram teme, ki jih odpira, tudi s konceptom, kot je Lacanova psihoanalitična metafora zrcalnega stadija. Osredotočim se na nekatere vplive, ki jih je imela na film in filmsko teorijo. Naslednje poglavje začnem z razmislekom o Platonovem svetu idej in vlogi utopij. S pomočjo avtorjev, kot so Hegel, Slavoj Žižek, Frank Ruda, Rosi Braidotti in Immanuel Wallerstein, razmišljam o trendih in posledicah svetovnega sistema na življenje in subjektivnost ljudi. V poglavju o izhodu iz kapitalistične votline predstavim razloge za razočaranje nad revolucijami. Vprašanje svobode in odnosa, ki ga lahko zavzamemo do spremembe, se lotim s filozofijo tranzita Maria Perniole. Med razpravo vključim še interpretacije filmov: Konformist, Iztrebljevalec 2049 in Melanholija. V zadnjem delu predstavim razvoj animiranega filma Peščeni prehod, ki je strukturiran po modelu Platonove votline. Podam pogled na filmsko-pripovedne koncepte, ki so bili ključni za razvoj projekta. In the theoretical part of the master's thesis, I explore the time of transition in which the present society and individual is situated in. I begin with the famous Plato's Allegory of the cave that I first present in the context of philosophy, art and science. Then, I analyze the themes that it opens, with additional concepts, such as Lacan's psychoanalytic concept of the mirror stage. Next, I focus on the mirror metaphor, which influenced film and film theory. The next chapter begins with a reflection on Plato's world of ideas and the role of utopias. With the help of authors such as Hegel, Slavoj Žižek, Frank Ruda, Rosi Braidotti and Immanuel Wallerstein, I think about the trends and the consequences of the capitalist world-system on our life and subjectivity. In chapter about exiting the capitalist cave I present the reasons for the general disappointment with social revolutions. With the help of Mario Perniola's philosophy of transit I focus on the question of our relation to the change and the issue of freedom. During the discussion, I also include interpretations of films: Conformist, Blade Runner 2049, and Melancholy. In the last part, I present the development of an animated film, which is structured by a model of Plato's cave. I take a look at the film-narrative concepts that were important for the development of the project. Video in novi mediji animacija prehod tranzicijsko obdobje post-kapitalizem Platonova prispodoba o votlini svet Idej dialektika pripovedovanje kratki film magistrska naloga Video and new media animation transit age of transition post-capitalism Plato’s Cave Allegory world of Forms dialectics storytelling short film MA thesis true false false Slovenski jezik Angleški jezik Magistrsko delo/naloga 2019-09-17 08:35:02 2019-09-17 08:35:17 2022-08-22 03:44:30 0000-00-00 00:00:00 2019 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 15458 1015.pdf 1015.pdf 1 948B7A4673B1175D5CFCA179FE39ED47 18eaa40dfef0128a4beedecab084e29be2a5de537f6027cdec2a71a69c68ab2b 2590a2d9-a1b7-11eb-a523-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=122228 Akademija za likovno umetnost in oblikovanje 0 0 0