20.500.12556/RUL-110128 Estetska prezentacija preslikane baročne slike Mater Dolorosa Marka Layerja Aesthetic Presentation of the Overpainted Baroque Painting of Mater Dolorosa by Marko Layer Baročna slika Mater Dolorosa Marka Layerja je bila v celoti preslikana z izjemo inkarnata. Naravoslovne raziskave, izvedene leta 2012, so pokazale, da so meč, draperija in ozadje preslikani. Strokovna komisija je predlagala odstranitev vse preslikave razen na območju ozadja, zaradi prevelikega tveganja za izvirnik. Leta 2018 je na sliki ostal še neodstranjen del preslikave na rdečem oblačilu. Enaka kemična sestava izvirnika in preslikave je oteževala odstranjevanje, zaradi česar je bilo preizkušenih veliko različnih metod, ki pa niso bile učinkovite. Zato smo se odločili, da preslikavo odstranimo mehansko. Za lažje izvajanje konservatorsko-restavratorskih postopkov je bila izdelana digitalna simulacija končne prezentacije slike. Po odstranjeni preslikavi je bilo veliko nepravilnosti na barvni plasti, nekatere zaradi poškodb nosilca in druge, manjše, zaradi odstranjevanja. Za povrnitev estetske celovitosti slike je bilo izvedeno zapolnjevanje vrzeli in reintegracija barvne plasti. Barvno reintegracijo smo izvedli z različnimi metodami, izbranimi glede na tip poškodbe. Poseg je bil zaključen tako, da lahko bodoče generacije nadaljujejo raziskave, dopolnjujejo in spreminjajo izvedene postopke. The Baroque painting Mater Dolorosa by Marko Layer was completely overpainted with the exception of the flesh tone area. Scientific research carried out in 2012 proved that the sword, the drapery and the background are overpainted. The profession commission proposed the removal of all the overpaint with the exception of the background, since it would be too risky. In 2018 the overpaint was still present on the red clothing. The same chemical composition of the original and the overpaint made the latter difficult to remove, which led to the testing of different methods. The tested methods were not efficient, so we decided to use the mechanical approach. In order to facilitate the implementation of conservation and restoration procedures, a digital simulation of aesthetic presentation was made. After the removal of the overpaint, there were many irregularities on the paint layer, some caused by the removal and others by the damaged support. To restore the aesthetic presentation of the image, the gaps were filled and the cromatic reintegration was performed. Cromatic reintegration was performed using various methods selected according to the type of damage. The intervention was done in a way that allows future generations to continue researching, complementing and modifying the implemented procedures. konserviranje-restavriranje baročna slika oljno-jajčna tempera preslikava odstranjevanje preslikave reintegracija Marko Layer diplomsko delo conservation-restoration baroque painting oil-egg tempera overpaint removal of overpaint reintegration Marko Layer BA thesis true false false Slovenski jezik Angleški jezik Diplomsko delo/naloga 2019-09-12 08:35:48 2019-09-12 08:35:49 2022-08-22 03:41:51 0000-00-00 00:00:00 2019 0 0 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 1970-01-01 15282 1137.pdf 1137.pdf 1 5B10EACCBC6B4A29ACF90A4C8C5AA3FD 22bbf7f7d5fed5deb9ab6df152d1d1a8f0c3873eb160f80d6a278cde3c0fe581 0b368b4e-a1b7-11eb-a523-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=121763 1138.pdf 1138.pdf 1 07F14FA564D6360B52AF66A4008C93FD 257a839c45ade5c27981a3aefaaabadf86de7e730c109bba16b1d5441672757c 0b44ca2f-a1b7-11eb-a523-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=121764 Akademija za likovno umetnost in oblikovanje 0 0 0