20.500.12556/RUL-109070 Liturgična glasba po drugem vatikanskem cerkvenem zboru in doprinos Gregorja Zafošnika v glasbeno zakladnico pokoncilske Cerkve na Slovenskem Liturgical music after Vatican Council II and contribution of Gregor Zafošnik to musical treasure of post-concil Church in Slovenia Duhovnik Gregor Zafošnik je kot skladatelj najbolj plodovito ustvarjal v obdobju, znotraj katerega je na glasbeno-liturgičnem področju prihajalo do mnogih sprememb v času drugega vatikanskega cerkvenega zbora. Zafošnikov skladateljski opus, ki je bil vselej naklonjen preprostemu glasbenemu stavku in pozoren do manjših glasbenih zasedb, je v mnogih pogledih ustrezal usmerjenosti koncila na glasbenem področju, kar je razvidno iz skladateljevega glasbenega in pedagoškega delovanja, v katerem se je zavzeto posvetil izobraževanju cerkvenih glasbenikov in preprostim napevom maš, spevov med berili ter ljudskih pesmi. S svojim skladateljskim opusom in izdajami pesmaric je močno zaznamoval predvsem glasbeni repertoar pevskih korov na območju današnje Nadškofije Maribor, z mnogimi deli pa je prodrl tudi na celotno slovensko raven in v tujino. V razpravi se posvečamo njegovi naklonjenosti do občestvene pesmi, ki jo je drugi vatikanski cerkveni zbor utemeljil kot liturgično glasbo in jo postavil ob bok gregorijanskemu koralu ter klasični in moderni polifoniji. Priest Gregor Zafošnik created most of his compositions in the period of many changes within musical-liturgical area during Vatican Council II. In his compositions, Gregor Zafošnik was always fond of simple musical expression and smaller musical ensembles, which ideally suited orientation of Council in a musical point of view. His course of work is transparent through his musical and pedagogical work, in which he intensively focused on church musicians and on the simplicity of his compositions of ordinarium of mass, resposorium graduale and congregational songs. With his compositions and with his editions of hymnals he left a mark on church choirs of today's archdiocese Maribor, but his repertoire is also known in Slovenia and abroad. This article concentrates on Zafošnik and his fondness for congregational singing, which was legitimated as liturgical music by Vatican Council II along with the Gregorian chant, ancient and modern polyphony. regens cori mariborska stolnica Teološka fakulteta - Enota v Mariboru liturgična glasba liturgična prenova drugi vatikanski cerkveni zbor občestveno sodelovanje regens chori cathedral of Maribor Faculty of Theology - Maribor Unit liturgical music liturgical renovation Vatican council II liturgical collaboration true false false Slovenski jezik Angleški jezik Članek v reviji 2019-08-20 16:23:38 2019-08-20 16:23:39 2022-08-21 03:39:47 0000-00-00 00:00:00 2018 0 0 Str. 139-161 št. 1/2 Letn. 73 2018 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 783:929Zafošnik G. 2335-4127 URN:NBN:SI:doc-D2ODONSB 8047962 268194560 RAZ_Oblonsek_Cecilija_i2018.pdf RAZ_Oblonsek_Cecilija_i2018.pdf 1 B0180E60A9845F49AC0CCE1C5E0F893A e67b8328a953b144f6d07dd80e359c382259cf377e902a6a71a105d930b68b29 c47e1e48-a1b6-11eb-a523-00155dcfd717 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=120482 https://www.dlib.si/details/URN:NBN:SI:DOC-D2ODONSB 1 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=120483 https://www.teof.uni-lj.si/uploads/File/Edinost/73/Oblonsek.pdf 1 https://repozitorij.uni-lj.si/Dokument.php?lang=slv&id=120485 Teološka fakulteta Edinost in dialog 0 0 0